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Aeropittura : ウィキペディア英語版
Aeropittura

Aeropittura (''Aeropainting'') was a major expression of the second generation of Italian Futurism, from 1929 through the early 1940s. The technology and excitement of flight, directly experienced by most aeropainters,〔(Osborn, Bob, ''Tullio Crali: the Ultimate Futurist Aeropainter'' )〕 offered aeroplanes and aerial landscape as new subject matter.
Aeropainting was surprisingly varied in subject matter and treatment, including realism (especially in works of propaganda), abstraction, dynamism, quiet Umbrian landscapes,〔" ... dal realismo esasperato e compiatciuto (in particolare delle opere propagandistico) alle forme asatratte (come in Dottori: ''Trittico della velocità''), dal dinamismo alle quieti lontane dei paesaggi umbri di Dottori ... ." ''L'aeropittura futurista'' http://users.libero.it/macbusc/id22.htm〕 portraits of Benito Mussolini (e.g., Dottori's ''Portrait of il Duce''), devotional religious paintings, and decorative art.
== Origins ==

Aeropainting was launched in a manifesto of 1929, ''Perspectives of Flight'', signed by Benedetta Cappa, Fortunato Depero, Gerardo Dottori, Fillìa, Filippo Tommaso Marinetti, Enrico Prampolini, Mino Somenzi and Guglielmo Sansoni (Tato). The artists stated that "The changing perspectives of flight constitute an absolutely new reality that has nothing in common with the reality traditionally constituted by a terrestrial perspective" and that "Painting from this new reality requires a profound contempt for detail and a need to synthesise and transfigure everything." Crispolti identifies three main "positions" in aeropainting: "a vision of cosmic projection, at its most typical in Prampolini's 'cosmic idealism' ... ; a 'reverie' of aerial fantasies sometimes verging on fairy-tale (for example in Dottori ...); and a kind of aeronautical documentarism that comes dizzyingly close to direct celebration of machinery (particularly in Tullio Crali, but also in Tato and Ambrosi)."〔Crispolti, E., "Aeropainting", in Hulten, P., ''Futurism and Futurisms'', Thames and Hudson, 1986, p.413〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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