|
Aizuri-e (Japanese: 藍摺り絵) literally means “blue printed picture”. The term usually refers to Japanese woodblock prints that are printed entirely or predominantly in blue. When a second color is used, it is usually red. Even if only a single type of blue ink was used, variations in lightness and darkness (value) could be achieved by superimposing multiple printings of parts of the design or by the application of a gradation of ink to the wooden printing block (''bokashi''). The development of aizuri-e was associated with the import of the pigment Prussian blue from Europe in the 1820s.〔Henry D Smith II, “Hokusai and the Blue Revolution in Edo Prints”, in John T. Carpenter, ed., ''Hokusai and His Age: Ukiyo-e Painting, Printmaking, and Book Illustration in Late Edo Japan'', Hotei Publishing, Amsterdam, 2005 pp. 234-69〕〔Gary Hickey, “Waves of Influence: Japan and the West”, in Exhibition Catalogue ''Monet & Japan'', National Gallery of Australia, Canberra, 2001, at 176〕 This pigment had a number of advantages over the indigo or dayflower petal dyes that were previously used to create blue. It was more vivid, had greater tonal range and was more resistant to fading.〔Philip McCouat, “Prussian blue and its partner in crime”, Journal of Art in Society, http://www.artinsociety.com〕 It proved to be particularly effective in expressing depth and distance, and its popularity may have been a major factor in establishing pure landscape as a new genre of ukiyo-e print.〔Timothy Clark, ''100 Views of Mount Fuji'', The British Museum Press, London, 2001, at 46〕 Early adopters included Katsushika Hokusai in his ''Thirty Six Views of Mount Fuji'' (1830), most notably in the now-famous Great Wave off Kanagawa. Utagawa Hiroshige also used Prussian blue extensively in his landscape prints. Other prominent Japanese artists to use it included Keisai Eisen, Utagawa Kunisada and Utagawa Sadahide. The theory that ''aizuri-e'' production was prompted by the 1842 sumptuary laws known as the Tenpō reforms is no longer widely accepted.〔Newland, Amy Reigle. (2005). ''Hotei Encyclopedia of Japanese Woodblock Prints.'' Amsterdam: Hotei. ISBN 9789074822657; ( OCLC 61666175 ) 〕 ==Gallery== Image:White Falcon in a pine tree, woodblock print by Sawa Sekkyô, 13.5 x 7.75 inches.jpg|White Falcon in a pine tree, woodblock print, 13.5 x 7.75 inches Image:Kinryuzan Temple in Asakusa from the series Famous Places in the Eastern Capital by Hiroshige II.jpg|''Kinryuzan Temple in Asakusa'' from the series ''Famous Places in the Eastern Capital'' by Hiroshige II 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Aizuri-e」の詳細全文を読む スポンサード リンク
|