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・ Anti-nuclear movement in Australia
・ Anti-nuclear movement in Austria
・ Anti-nuclear movement in California
・ Anti-nuclear movement in Canada
・ Anti-nuclear movement in France
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・ Anti-nuclear movement in Kazakhstan
・ Anti-hijack system
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Anti-House
・ Anti-humor
・ Anti-Ice
・ Anti-idiotypic vaccine
・ Anti-Igbo sentiment
・ Anti-IL-6
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・ Anti-Imperialist Cell
・ Anti-Imperialist Front
・ Anti-Imperialist League
・ Anti-Imperialist National Democratic Front
・ Anti-Imperialist Patriotic Union
・ Anti-imperialist Unitary Commissions
・ Anti-incumbency
・ Anti-Indian sentiment


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Anti-House : ウィキペディア英語版
Anti-House

''Anti-House'' is the eponymous debut album by German jazz saxophonist Ingrid Laubrock's band with guitarist Mary Halvorson, bassist John Hébert, drummer Tom Rainey and pianist Kris Davis, credited as a guest on about half the pieces. It was recorded in 2010 and released on the Swiss Intakt label.〔(''Anti-House'' ) at Intakt Records〕 In the summer of 2008 Laubrock relocated from London to New York, where she participated in the collective trio ''Paradoxical Frog'', but this was her first recording as leader in the US.〔() at Ingrid Laubrock〕
==Reception==

The ''Down Beat'' review by Bill Meyer says "The more time one spends with this record, the more it impresses. Beyond the rigorous playing, each of its 14 tracks abounds with surprise changes in shape and direction. But while it commands admiration, it’s hard to love; the contrasts and complexities don’t really add up to some
greater whole."〔Meyer, Bill. ''Anti-House'' review. ''Down Beat'' February 11: page 58. Print.〕
The All About Jazz review by Chris May states "''Anti-House'' is Laubrock's most all-round satisfying album to date, a cascade of gritty beauty, some of it quite savage, which harnesses the enduring appeal of ''Forensic'' to the discoveries that have followed it."〔May, Chris. (''Anti-House'' review ) at All About Jazz
In a review for ''The Guardian'', John Fordham says "Though some of the motif-swapping strategies sound a shade robotic, Anti-House is a vivid indication of Laubrock's growing independence – and Halvorson's Derek Baileyesque scrambling runs, Hendrix distortions, wild on-the-fly detunings and massaged jazz-guitar grooves offer constant diversions."〔Fordham, John (''Anti-House'' review ) at ''The Guardian''〕

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