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・ Aparadhi (1977 film)
・ Aparadhi (2009 film)
・ Aparadhini
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Aparajito
・ Aparajito (TV series)
・ Aparallactus
・ Aparallactus capensis
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・ Aparallactus lineatus
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・ Aparallactus modestus
・ Aparallactus moeruensis
・ Aparallactus niger
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・ Aparallactus turneri
・ Aparallactus werneri
・ Aparam River


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Aparajito : ウィキペディア英語版
Aparajito

''Aparajito'' ((ベンガル語:অপরাজিত ''Ôporajito''); ''The Unvanquished'') is a 1956 Indian Bengali drama film directed by Satyajit Ray, and is the second part of ''The Apu Trilogy''. It is adapted from the last one-fifth of Bibhutibhushan Bannerjee's novel ''Pather Panchali'' and the first one-third of its sequel ''Aparajito''. It starts off where the previous film ''Pather Panchali'' ended, with Apu's family moving to Varanasi, and chronicles Apu's life from childhood to adolescence in college, right up to his mother's death, when he is left all alone.
When Ray started making ''Pather Panchali'', he had no plans of following it up with a sequel. The critical and commercial success of the film prompted him to start making ''Aparajito''. Unlike his previous venture, where he stayed faithful to the novel, Ray took some bold artistic decisions here, like portraying the relationship between Apu and his mother in a very different manner. As a result, in contrast to its predecessor, the film was not received well locally; Ray recalled that "as for the suburban audience, it was shocked by the portrayal of the mother and son relationship, so sharply at variance with the conventional notion of mutual sweetness and devotion".
Critical reception outside India was however overwhelmingly positive. It won 11 international awards, including the Golden Lion and Critics Award at the Venice Film Festival, becoming the first ever film to win both. Veteran film-maker Mrinal Sen said he considers it to be one of the best Indian movies he had ever seen. Bosley Crowther said that "It is done with such rare feeling and skill at pictorial imagery, and with such sympathetic understanding of Indian character on the part of Mr. Ray, that it develops a sort of hypnotism for the serene and tolerant viewer." The critical acclaim this movie received encouraged Ray to make another sequel, ''Apur Sansar'', which was equally well received, and thus concluded one of the most critically acclaimed movie trilogies of all time, as Roger Ebert later pointed out—"The three films, which were made in India by Satyajit Ray between 1950 and 1959, swept the top prizes at Cannes, Venice and London, and created a new cinema for India—whose prolific film industry had traditionally stayed within the narrow confines of swashbuckling musical romances. Never before had one man had such a decisive impact on the films of his culture."
==Plot==
Apu and his parents, who left their home in Bengal, has moved to an apartment in Varanasi where Apu's father Harihar (Kanu Banerjee) works as a priest. Harihar dies and Sarbajaya (Karuna Banerjee) starts working as a maid. Apu and his mother return to Bengal and settle in the village Mansapota. Apu asks his mother to send him to a school. He has an inquisitive mind and studies diligently; he receives a scholarship to go to Calcutta for further studies. Sarbajaya does not want to let her son leave but she gives in and helps him prepare to leave.
Apu (Smaran Ghosal) starts working at a printing press in Calcutta, after school hours, to subsist. He becomes more accustomed to the city life and feels out of place in the village. Sarbajaya expects visits from him, but he visits only a few times. Her loneliness and yearning for her son continue to grow. She becomes seriously ill, but does not disclose her illness to Apu, lest his studies get disturbed. When Apu finally comes to know about her poor health, he returns to the village to find that she has died. Bhabataran, Apu's great uncle, requests that he stay there and work as a priest. Apu rejects the idea and returns to Calcutta.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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