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Artmedia
Artmedia, ''Seminar and Laboratory of the Aesthetics of Media and Communication'', was one of the first scientific projects concerning the relationship between art, technology, philosophy and aesthetics. It was founded in 1985 at the University of Salerno. For over two decades, until 2009, dozens of projects, studies, exhibitions and conferences on new technologies〔In addition to the ten international "Artmedia" conferences, which took place in Salerno and Paris from 1985 to 2008, the Laboratory has led to numerous other initiatives and events, such as "L'immaginario tecnologico", 1984 (conference and exhibition); "Technettronica", 1989 (Exhibition about the Aesthetics of Communication); "Estetica e antropologia", 1983 (International Symposium); "Tecnologie e forme nell'arte e nella scienza", 2003 (International Symposium); "New Technologies: Roy Ascott, Maurizio Bolognini, Fred Forest, Richard Kriesche, Mit Mitropoulos", Museo del Sannio, 2003 (Exhibition on the Aesthetics of Communication); "Estetica e tecnologia", 1987 (Symposium); "L'immateriale in piazza" (Aitiani, Forest, Mitropoulos, Grossi, Prado), Naples, 1992 (Exhibition on the Aesthetics of Communication); "Un'estetica per i media" 1989 (RAI, Dipartimento Scuola Educazione, TV program); "Cartacarbone", 1990 (radio program); "Coincidences", 1995 (Aesthetics journal, in French); "Epiphaneia", 1995-1996 (Aesthetics journal, in Italian). See ''Edition spéciale Artmedia'', "Art Press", Paris, 2002.〕 made Artmedia a reference point for many internationally renowned scholars and artists,〔A. R., ''Des hauts et débats. Colloque Artmedia VIII'', "Liberation", November 29, 2002, p. 13; ''Dossier: De l’esthétique de la communication au Net Art'', "Art Press", 285, November 2002, pp. 37-43.〕 and contributed to the growing cultural interest in the aesthetics of media, the aesthetics of networks, and their ethical and anthropological implications.
==Beginnings and international events==
Since the late 1970s, a permanent ''Seminar of the Aesthetics of Media and Communication'' has been directed by its founder Mario Costa at the University of Salerno. The basic principles of the aesthetics of technological communication were identified and conceptualized in 1983.〔The history of the "aesthetics of communication", especially upon its debut in the 1980s, is recorded in the book by Mario Costa,''The Aesthetics of Communication. Aesthetic use of simultaneity at a distance'', Rome, Castelvecchi, 1999; its basic principles, formulated by Costa, were expressed for the first time in ''News and Notes'', published by the International Center of Aesthetic Communication, Salerno, 1986.〕 A conference on "Technological Imaginary", held in 1984 at the Museo del Sannio in Benevento, discussed the issue of the new relationship between art and technology and the consequent need to re-evaluate aesthetics, warning that "all our future existence will be played at the crossroads between technology and imaginary".〔"Aa. Vv., ''L’immaginario tecnologico'', Museo del Sannio, Benevento, p. 8.〕
The comprehensive relationship between art and technoscience, technology, and philosophy has also been the theoretical subject of the ten international "Artmedia" conferences which were held in Salerno and Paris between 1985 and 2008. Particularly relevant were conferences held in Paris between 2002 and 2008, which took place at the Ecole Normale Supérieure, the Bibliotheque Nationale de France (BNF) and the Institut National d'Histoire de l 'Art (INHA), with the partnership of the Société Française d'Esthétique, the Université du Québec à Montréal, the University of Toronto, the Universidade de São Paulo, the Université de Paris 1 Sorbonne, and the U.S. magazine Leonardo.〔See Mario Costa, Fred Forest (eds) (2011), ''Ethique, esthétique, communication technologique dans l'art contemporain ou le destin du sens'', Paris: Institut National Audiovisuel, Editions L'Harmattan, and ''Dossier Artmedia VIII'', in "Ligeia", Paris, 2002.〕
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