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Ayaal
''Ayaal'' is a 2013 Malayalam film directed by Suresh Unnithan. Lal, Iniya, Lakshmi Sharma and Lena play the lead roles.〔http://articles.timesofindia.indiatimes.com/2013-05-23/news-and-interviews/39474880_1_heroines-lal-suresh-unnithan〕 The story, screenplay and dialogue of the film is written by Dr. K. Ampady.〔http://www.thehindu.com/features/cinema/the-malayali-connection/article4676765.ece〕〔http://www.thehindu.com/features/metroplus/shot-cuts-debut-of-a-veteran/article4721176.ece〕 The film is produced by Madhusoodanan Mavelikara (Seashell Movies) and M. T. Dileep Kumar (Elements Vision).〔http://www.indiaglitz.com/channels/malayalam/article/93841.html〕 The cinematography is by Sujith Vasudev. ''Ayaal'' was earlier titled ''Nagabandham''.〔http://articles.timesofindia.indiatimes.com/2013-03-27/news-and-interviews/38041034_1_omegaexe-ineya-nagabandham〕 The film released on 28 June 2013.〔http://www.indiaglitz.com/channels/malayalam/article/93841.html〕〔http://www.thehindu.com/features/metroplus/shot-cuts-debut-of-a-veteran/article4721176.ece〕
''Ayaal'' is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.〔http://www.thehindu.com/features/cinema/tangled-in-tradition/article4765902.ece〕〔http://newindianexpress.com/entertainment/malayalam/Decoding-myth-and-morality/2013/06/27/article1654398.ece〕
== Plot ==
Set in late 1950s the film uses the symbols of Serpentine Worship and socio political rebellions during that period of time to create an ambience for storytelling. The protagonist Dasan was a practicing Pulluvan, who had an aura of ascribed divinity around him. He had two wives, Janaki and Chakara. Janaki’s love with Dasan was platonic, but Chakara true to her name was possessive. Dasan along the course of time becomes passionate with Devaki Antharjanam, the wife of the village landlord as well. Be it wine, women or smoke, Dasan had no restrictions. His mastery over the profession was unparalleled. Due to the ascribed divinity around him, he was unquestioned. But not for too long, something happens which makes his life topsy turvy! The event also brings out the tenacity and quality of relations he had.
The film picturises the various shades of love and problemetises the conventional concepts around it. It is also an attempt to transcend the definitions of love and to explore the flowering of bonds which are deep rooted than love. What do we call it?
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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