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Strapwork
In the history of art and design, strapwork is a stylised representation in ornament of leather straps,〔Dundee School of Town & Regional Planning, (The Conservation Glossary )〕 consisting of flattened strips or bands of curling leather, parchment or metal cut into elaborate shapes, with piercings, and often interwoven in a geometric pattern.
Strapwork is a frequent element of grotesques — arabesque or candelabra figures filled with fantastical creatures, garlands and other elements—which were a frequent decorative motif in 16th-century Mannerism, and revived in the 19th century and which may appear on walls—painted, in frescos, carved in wood, or moulded in plaster or stucco — or in graphic work.〔Fuhring, 164〕
==England==
Strapwork became popular in England in the late 16th and 17th centuries as a form of plasterwork decorative moulding used particularly on ceilings, but also sculpted in stone for example around entrance doors, as at Misarden Park (1620), Gloucestershire, or on monumental sculpture, as on the frieze of the monument to Sir John Newton (d.1568), at East Harptree, Gloucestershire, and on that of Sir Gawen Carew (d.1575) in Exeter Cathedral. Wollaton Hall outside Nottingham makes especially extensive, and for some excessive, use of strapwork inside and out.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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