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Blowup : ウィキペディア英語版
Blowup

''Blowup'', or ''Blow-Up'', is a British-Italian 1966 film directed by Michelangelo Antonioni about a fashion photographer, played by David Hemmings, who believes he has unwittingly captured a murder on film. It was Antonioni's first entirely English-language film.〔One of the three stories comprising ''I Vinti'' was set in London and shot with wholly English dialogue.〕
The film also stars Vanessa Redgrave, Sarah Miles, John Castle, Jane Birkin, Tsai Chin and Gillian Hills as well as sixties model Veruschka. The screenplay was by Antonioni and Tonino Guerra, with English dialogue by British playwright Edward Bond. The film was produced by Carlo Ponti, who had contracted Antonioni to make three English-language films for Metro-Goldwyn-Mayer (the others were ''Zabriskie Point'' and ''The Passenger'').
The plot was inspired by Julio Cortázar's short story, "Las babas del diablo" or "The Devil's Drool" (1959), translated also as "Blow Up" in ''Blow-up and Other Stories'', and by the life of Swinging London photographer David Bailey.〔Brigitte Tast, Hans-Jürgen Tast: ''light room - dark room. Antonionis "Blow-Up" und der Traumjob Fotograf'', Kulleraugen Vis.Komm. Nr. 44, Schellerten 2014, ISBN 978-3-88842-044-3〕 The film was scored by jazz pianist Herbie Hancock. The music is diegetic, as Hancock noted: "It's only there when someone turns on the radio or puts on a record."〔(Goldberg, Joe. "Catching Action," ''Billboard'', May 1, 1999. )〕 Nominated for several awards at the Cannes Film Festival, ''Blowup'' won the Grand Prix. It was also ranked No. 144 in the ''Sight & Sound'' magazine greatest films poll.〔http://explore.bfi.org.uk/sightandsoundpolls/2012/critics/〕
The American release of the counterculture-era film with its explicit sexual content (by contemporary standards) by a major Hollywood studio was in direct defiance of the Production Code. Its subsequent outstanding critical and box office success proved to be one of the final events that led to the final abandonment of the code in 1968 in favour of the MPAA film rating system.
==Plot==
The plot is a day in the life of a glamorous fashion photographer, Thomas (Hemmings), inspired by the life of an actual "Swinging London" photographer, David Bailey.〔(PDN Legends Online: David Bailey. ) Retrieved 28 July 2012.〕 After spending the night at a doss house where he has taken pictures for a book of art photos, Thomas is late for a photo shoot with Veruschka at his studio, which in turn makes him late for a shoot with other models later in the morning. He grows bored and walks off, leaving the models and production staff in the lurch. As he leaves the studio, two teenage girls who are aspiring models (Birkin and Hills) ask to speak with him, but the photographer drives off to look at an antiques shop. Wandering into Maryon Park, he takes photos of two lovers. The woman (Redgrave) is furious at being photographed. The photographer then meets his agent for lunch, and notices a man following him and looking into his car. Back at his studio, Redgrave arrives asking for the film, but he deliberately hands her a different roll. She in turn writes down a false telephone number to give to him. His many enlargements of the black and white film are grainy but seem to show a dead body in the grass and a killer lurking in the trees with a gun. He is disturbed by a knock on the door, but it is the two girls again, with whom he has a romp in his studio and falls asleep. Awakening, he finds they hope he will photograph them but he tells them to leave, saying, "Tomorrow! Tomorrow!"
As evening falls, the photographer goes back to the park and finds a body, but he has not brought his camera and is scared off by a twig breaking, as if being stepped on. The photographer returns to his studio to find that all the negatives and prints are gone except for one very grainy blowup showing the body. After driving into town, he sees Redgrave and follows her into a club where The Yardbirds, featuring both Jimmy Page and Jeff Beck on guitar and Keith Relf on vocals, are seen performing the song "Stroll On." A buzz in Beck's amplifier angers him so much he smashes his guitar on stage, then throws its neck into the crowd, the photographer makes a grab for it as a souvenir. The photographer grabs the neck and runs out of the club before anyone can snatch it from him. Then he has second thoughts about it, throws it on the pavement and walks away. A passer-by picks up the neck and throws it back down, not realizing it's from Jeff Beck's guitar.〔("Yardbirds 1966 Blow Up," YouTube )〕
At a drug-drenched party in a house on the Thames near central London, the photographer finds both Veruschka, who had told him that she was going to Paris – when confronted, she says she is in Paris – and his agent (Peter Bowles), whom he wants to bring to the park as a witness. However, the photographer cannot put across what he has photographed. Waking up in the house at sunrise, he goes back to the park alone and finds that the body is gone.
Befuddled, he watches a mimed tennis match, is drawn into it, picks up the imaginary ball and throws it back to the two players. While he watches the mime, the sound of the ball being played is heard. As the photographer watches this mimed match alone on the lawn, his image fades away, leaving only the grass as the film ends.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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