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Bluthochzeit : ウィキペディア英語版
Bluthochzeit

(''Blood Wedding'') is an opera (ドイツ語:''lyrische Tragödie'') in two acts by Wolfgang Fortner. The libretto, also by Fortner, is based on Enrique Beck's German translation of García Lorca's 1933 play ''Bodas de sangre''. It premiered at the Cologne Opera on 8 June 1957.
==Composition==
Fortner was asked by Karl-Heinz Stroux to write incidental music for a performance of Lorca's play ''Bodas de sangre'' in Hamburg in the early 1950s.〔〔 The composer was impressed by the drama and felt that acting was not enough to "sing the tragedy to an end" ("die Tragödie zu Ende zu singen"), and decided to set longer sections to music.〔Klebe, Giselher (1986). ("Wolfgang Fortners »Bluthochzeit« ). Deutsche Oper am Rhein (republished by Schott Music). Retrieved 10 July 2013 .〕
Fortner wrote the opera's libretto himself based on Enrique Beck's German translation of the play.〔 ''Bluthochzeit'', a "literary opera" like Alban Berg's ''Wozzeck'' and ''Lulu'', is driven by the action, as the composer comments: "The compulsion of the words drives the music." He scored the work for singing and speaking parts, following the text which is at times in prose, at times in poetry. Fortner used dodecaphony but included traditional Spanish instruments, such as mandolins, castanets, tambourine and guitars.〔(Work of the Week - Wolfgang Fortner: Bluthochzeit ) Schott 2013〕 Giselher Klebe noted in an introduction to the performance in Düsseldorf that Fortner, who was exposed to twelve-tone technique rather late in life, used the restriction of its rules to heighten expressiveness.〔
In 1962 Fortner revised the scores of both ''Bluthochzeit'' and his 1954 dramatic scene ''Der Wald'' (''The Forest'') and used both of them in the score for a new opera, ''In seinem Garten liebt Don Perlimplín Belisa'' with a libretto based on another play by Garcia Lorca (''Amor de Don Perlimplín con Belisa en su jardín''). This new opera premiered on 10 May 1962 at the Cologne Opera.〔Ewen, David (1969). (''Composers since 1900: A Biographical and Critical Guide'' ). pp. 206-207〕〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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