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Bodegón
The term ''bodega'' in Spanish can mean "pantry", "tavern", or "wine cellar". The derivative term ''bodegón'' is an augmentative that refers to a large ''bodega'', usually in a derogatory fashion. In Spanish art, a ''bodegón'' is a still life painting depicting pantry items, such as victuals, game, and drink, often arranged on a simple stone slab, and also a painting with one or more figures, but significant still life elements, typically set in a kitchen or tavern. It also refers to low-life or every day objects, which can be painted with flowers, fruits, or other objects to display the painter's mastery.〔Johnson, Paul. ''Art: A New History'', Weidenfeld & Nicolson, 2003, p. 353.〕
==History==
Starting in the Baroque period, such paintings became popular in Spain in the second quarter of the 17th century. The tradition of still life painting appears to have started and was far more popular in the contemporary Low Countries, today Belgium and Netherlands (then Flemish and Dutch artists), than it ever was in southern Europe. Northern still lifes had many subgenres; the ''breakfast piece'' was augmented by the ''trompe-l'œil'', the ''flower bouquet'', and the ''vanitas''. In Spain there were much fewer patrons for this sort of thing, but a type of ''breakfast piece'' did become popular, featuring a few objects of food and tableware laid on a table. Though now considered a Spanish invention, the classic trompe-l'œil presentation of fruit on a stone slab was common in ancient Rome.
Still life painting in Baroque Spain was often austere; it differed from the Flemish Baroque still lifes, which often contain both rich banquets surrounded by ornate and luxurious items with fabric or glass. In bodegones, the game is often plain dead animals still waiting to be skinned. The fruits and vegetables are uncooked. The backgrounds are bleak or plain wood geometric blocks, often creating a surrealist air. Both Netherlandish and Spanish still lifes often had a moral vanitas element. Their austerity, akin to the bleakness of some of the Spanish plateaus, never copies the sensual pleasures, plenitude, and luxury of many Northern European still life paintings.
The Velázquez paintings ''The Waterseller of Seville'', ', and ''The lunch'' are often described as ''bodegones''〔(Encyclopædia Britannica article on Velasquez does so. )〕〔As does this dictionary of art terms: LCCN 83-51331〕 due to the artist's depiction of jars and foodstuff. Some people reject this use of the term, calling them instead a mixture of genre painting in Bamboccianti style and still life.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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