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・ Boogie with Canned Heat
・ Boogie with Stu
・ Boogie Wonderland
・ Boogie Woogie (film)
・ Boogie Woogie (song)
・ Boogie Woogie (TV series)
・ Boogie Woogie Bugle Boy
・ Boogie Woogie Christmas
・ Boogie Woogie Country Man
・ Boogie Woogie Fiddle Country Blues
・ Boogie Woogie Kids Championship
・ Boogie Woogie No. 5
・ Boogie Woogie Red
・ Boogie Woogie Santa Claus
・ Boogie, el aceitoso
Boogie-Doodle
・ Boogie-woogie
・ Boogie-woogie (dance)
・ Boogie-woogie (disambiguation)
・ Boogie-Woogie Dream
・ Boogie-Woogie String Along for Real
・ Boogiemonsters
・ Boogiepop and Others
・ Boogiepop Phantom
・ Boogiepop series
・ Boogiepop wa Warawanai
・ Boogies Diner
・ Boogiest Band In Town
・ BoogiRoot
・ Boogity Boogity


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Boogie-Doodle : ウィキペディア英語版
Boogie-Doodle

''Boogie-Doodle'' is a 1940 drawn-on-film visual music short by Norman McLaren, set to the boogie-woogie music of African-American jazz pianist Albert Ammons.
Though released by the National Film Board of Canada (NFB) in 1941, ''Boogie-Doodle'' was actually made by McLaren in New York City in 1940, a year before he was invited by John Grierson to Canada to found the NFB's animation unit. McLaren, who had been influenced by the hand-painted films of Len Lye, was in New York exploring the technique on a grant from the Solomon Guggenheim Foundation, creating ''Boogie-Doodle'' along with three other cameraless films: ''Dots'', ''Loops'' and ''Stars and Stripes''.
The animation in ''Boogie-Doodle'' coincides exactly with Ammon's musical piece, with McLaren's animation beginning at the very first bar and concluding at the final note.
==References==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Boogie-Doodle」の詳細全文を読む



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