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Brattata
''Brattata'' is a 1962 pop art painting by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. The work is held in the collection at the Tehran Museum of Contemporary Art. It is one of several Lichtenstein works from ''All-American Men of War'' issue #89, but is a reworking of its source panel.
== Background ==
According to the University of Michigan Library, at one time the work was held in the Fischmann collection.〔(【引用サイトリンク】title=LICHTENSTEIN, ROY; Brattata; 1962 )〕 St. Louis businessman and financeer, Milton Fischmann died in May 1974, and the work is now in the collection of the Tehran Museum of Contemporary Art.〔 A trained draftsman and artist, Lichtenstein was a United States Army pilot who served in World War II without ever seeing active combat.〔〔 His list of aeronautical themed works is extensive. Within that genre, Lichtenstein has featured pilots situated in cockpits during air combat in many of his works, such as ''Jet Pilot'' (1962), ''Brattata'' (1962), ''Bratatat!'' (1963), and ''Okay Hot-Shot, Okay!'' (1963).〔 The source of ''Brattata'' is ''All-American Men of War'' #89 (January–February 1962, DC Comics).〔 The same issue was the inspiration for several other Lichtenstein paintings, ''Okay Hot-Shot, Okay!'', ''Blam'', ''Whaam!'' and ''Tex!'' The graphite pencil sketch, ''Jet Pilot'' was also from that issue.〔(【引用サイトリンク】 Jet Pilot )〕 The pilot's mask is unbuckled, revealing the lower half of his face (as opposed to ''Bratatat!'' and ''Jet Pilot'' where only the eyes are visible). The onomatopoeia presented graphically appears as a cliché. In comparison to the original Lichtenstein increased the required number of downed planes for flying ace recognition by two, possibly reflecting his own training.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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