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Cantopop
Cantopop (, a contraction of "Cantonese popular music") or HK-pop (short for "Hong Kong popular music") is a genre of Cantonese music made primarily in Hong Kong and characterized by a Southeast Asian cultural context of production and consumption. Originating in the 1970s, Cantopop reached its height of popularity in the 1980s and 1990s before its slow decline in the 2000s.
Cantopop is influenced by international styles, including jazz, rock and roll, rhythm and blues, electronic music, Western pop music and others. Cantopop songs are almost invariably performed in Cantonese. Boasting a multinational fanbase especially in Southeast Asian countries such as Malaysia, Singapore, Indonesia, Thailand, and in the Guangdong province of mainland China, Hong Kong remains the most significant hub of the genre.〔China Briefing Media. () (2004) Business Guide to the Greater Pearl River Delta. China Briefing Media Ltd. ISBN 988-98673-1-1〕 The most significant figures in the Cantopop industry include Samuel Hui, Alan Tam, Anita Mui, Leslie Cheung, Jacky Cheung, Sammi Cheng, Faye Wong, Eason Chan and Joey Yung.
==History==
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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