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・ Caspian seal
・ Caspian shrew
・ Caspian snowcock
・ Caspian stellate tadpole-goby
・ Caspian tadpole goby
・ Caspian Telecom
・ Caspian tern
・ Caspian tiger
・ Caspian tit
・ Caspian turtle
・ Caspian tyulka
・ Caspian whipsnake
・ Caspian, Michigan
・ Caspiane
・ Caspians
Caspicara
・ Caspichango
・ Caspio
・ Caspiodontornis
・ Caspiosoma caspium
・ Caspisapa District
・ Caspiy
・ Caspofungin
・ Caspoggio
・ Caspr
・ Caspueñas
・ Casque
・ Casque and Gauntlet
・ Casque d'Or
・ Casque du Marboré


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Caspicara : ウィキペディア英語版
Caspicara

Manuel Chili (''ca. '' 1723, Quito - 1796) — known as Caspicara (“wooden face”) — was an Ecuadorian sculptor who exemplified the Quito School movement of the 18th century Andes. His major religious works, characterized by polychromed wood sculptures in an elegant Spanish Baroque style, are preserved in the Quito Cathedral and the Church of San Francisco de Quito, Ecuador, and in Popayán, Colombia. His work was rediscovered in 1791 and championed by Eugenio Espejo, then the country’s leading intellectual.
==Biography==
Caspicara was born into an Indigenous family in Quito in about 1723. Among his predecessors was Diego de Robles (d. 1594) and among his mentors was Bernardo de Legarda (''ca.'' 1700—1773), whom he is sometimes seen as succeeding. As a sculptor, he worked in both wood and marble, always within the prevailing Baroque style and with a religious motif. He grouped figures in a manner that evokes painting as much as sculpture. His technique of representation, especially of human anatomy, was impeccable.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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