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Giorgio de Chirico (; 10 July 1888 – 20 November 1978) was an Italian artist. In the years before World War I, he founded the ''scuola metafisica'' art movement, which profoundly influenced the surrealists. After 1919, he became interested in traditional painting techniques, and worked in a neoclassical or neo-Baroque style, while frequently revisiting the metaphysical themes of his earlier work. ==Life and works== De Chirico was born in Volos, Greece, to a Genoan mother and a Sicilian father.〔(Metropolitan Museum of Art brief biography ) Retrieved September 6, 2010〕 After studying art in Athens—mainly under the guidance of the influential Greek painters Georgios Roilos and Georgios Jakobides—and Florence, he moved to Germany in 1906, following his father's death in 1905. He entered the Academy of Fine Arts in Munich, where he read the writings of the philosophers Nietzsche, Arthur Schopenhauer and Otto Weininger and also studied the works of Arnold Böcklin and Max Klinger. He returned to Italy in the summer of 1909 and spent six months in Milan. At the beginning of 1910, he moved to Florence where he painted the first of his 'Metaphysical Town Square' series, ''The Enigma of an Autumn Afternoon'', after the revelation he felt in Piazza Santa Croce. He also painted ''The Enigma of the Oracle'' while in Florence. In July 1911 he spent a few days in Turin on his way to Paris. De Chirico was profoundly moved by what he called the 'metaphysical aspect' of Turin, espeically the architecture of its archways and piazzas. De Chirico moved to Paris in July 1911, where he joined his brother Andrea. Through his brother he met Pierre Laprade, a member of the jury at the Salon d'Automne, where he exhibited three of his works: ''Enigma of the Oracle'', ''Enigma of an Afternoon'' and ''Self-Portrait''. During 1913 he exhibited paintings at the Salon des Indépendants and Salon d’Automne; his work was noticed by Pablo Picasso and Guillaume Apollinaire, and he sold his first painting, ''The Red Tower''. In 1914, through Apollinaire, he met the art dealer Paul Guillaume, with whom he signed a contract for his artistic output. At the outbreak of World War I, he returned to Italy. Upon his arrival in May 1915, he enlisted in the army, but he was considered unfit for work and assigned to the hospital at Ferrara. He continued to paint, and in 1918, he transferred to Rome. Starting from 1918, his work was exhibited extensively in Europe. De Chirico is best known for the paintings he produced between 1909 and 1919, his metaphysical period, which are characterized by haunted, brooding moods evoked by their images. At the start of this period, his subjects were still cityscapes inspired by the bright daylight of Mediterranean cities, but gradually he turned his attention to studies of cluttered storerooms, sometimes inhabited by mannequin-like hybrid figures. In autumn, 1919, De Chirico published an article in ''Valori Plastici'' entitled "The Return of Craftsmanship", in which he advocated a return to traditional methods and iconography.〔Holzhey, Magdalena. ''Giorgio de Chirico''. Cologne: Taschen, 2005, p. 60. ISBN 3-8228-4152-8〕 This article heralded an abrupt change in his artistic orientation, as he adopted a classicizing manner inspired by such old masters as Raphael and Signorelli, and became an outspoken opponent of modern art.〔Schwartz, Sanford. ''Artists and Writers''. New York: Yarrow Press, 1990, pp. 28–29. ISBN 1-878274-01-5〕 In the early 1920s, the Surrealist writer André Breton discovered one of De Chirico's metaphysical paintings on display in Guillaume's Paris gallery, and was enthralled.〔Holzhey 2005, p. 62.〕 Numerous young artists who were similarly affected by De Chirico's imagery became the core of the Paris Surrealist group centered around Breton. In 1924 De Chirico visited Paris and was accepted into the group, although the surrealists were severely critical of his post-metaphysical work.〔Holzhey 2005, p. 67.〕 De Chirico met and married his first wife, the Russian ballerina Raissa Gurievich in 1925, and together they moved to Paris.〔Holzhey 2005, p. 94.〕 His relationship with the Surrealists grew increasingly contentious, as they publicly disparaged his new work; by 1926 he had come to regard them as "cretinous and hostile".〔Cowling, Elizabeth; Mundy, Jennifer. ''On Classic Ground: Picasso, Léger, de Chirico and the New Classicism 1910-1930''. London: Tate Gallery, 1990, p. 81. ISBN 1-854-37043-X〕 They soon parted ways in acrimony. In 1928 he held his first exhibition in New York City and shortly afterwards, London. He wrote essays on art and other subjects, and in 1929 published a novel entitled ''Hebdomeros, the Metaphysician''. In 1930, De Chirico met his second wife, Isabella Pakszwer Far, a Russian, with whom he would remain for the rest of his life. Together they moved to Italy in 1932, finally settling in Rome in 1944. In 1948 he bought a house near the Spanish Steps which is now a museum dedicated to his work. In 1939, he adopted a neo-Baroque style influenced by Rubens.〔 De Chirico's later paintings never received the same critical praise as did those from his metaphysical period. He resented this, as he thought his later work was better and more mature. He nevertheless produced backdated "self-forgeries" both to profit from his earlier success, and as an act of revenge—retribution for the critical preference for his early work.〔(Giorgio de Chirico, www.artchive.com )〕 He also denounced many paintings attributed to him in public and private collections as forgeries.〔(''The Memoirs of Giorgio de Chirico'', Perseus Books Group, 1994 ), ISBN 0306805685〕 He remained extremely prolific even as he approached his 90th year.〔Schwartz 1990, p. 29.〕 In 1974 he was elected to the French Académie des Beaux-Arts. He died in Rome on 20 November 1978. His brother, Andrea de Chirico, who became famous as Alberto Savinio, was also a writer and a painter. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Giorgio de Chirico」の詳細全文を読む スポンサード リンク
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