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In music, the conclusion is the ending of a composition and may take the form of a coda or outro. Pieces using sonata form typically use the recapitulation to conclude a piece, providing closure through the repetition of thematic material from the exposition in the tonic key. In all musical forms other techniques include "altogether unexpected digressions just as a work is drawing to its close, followed by a return...to a consequently more emphatic confirmation of the structural relations implied in the body of the work."〔Perle, George (1990). ''The Listening Composer''. California: University of California Press. ISBN 0-520-06991-9.〕 For example: * The slow movement of Bach's ''Brandenburg Concerto No. 2'', where a "diminished-7th chord progression interrupts the final cadence."〔 * The slow movement of Symphony No. 5 by Beethoven, where, "echoing afterthoughts", follow the initial statements of the first theme and only return expanded in the coda.〔 * Varèse's ''Density 21.5'', where partitioning of the chromatic scale into (two) whole tone scales provides the missing tritone of b implied in the previously exclusive partitioning by (three) diminished seventh chords.〔 ==Coda== (詳細はItalian for "tail", plural ''code'') is a term used in music in a number of different senses, primarily to designate a passage which brings a piece (or one movement thereof) to a conclusion. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Conclusion (music)」の詳細全文を読む スポンサード リンク
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