翻訳と辞書
Words near each other
・ Czesław Idźkiewicz
・ Czesław Janczarski
・ Czesław Kiszczak
・ Czesław Kwieciński
・ Czesław Lang
・ Czesław Lejewski
・ Czesław Litwin
・ Czesław Madajczyk
・ Czesław Marchaj
・ Czesław Marek
・ Czesław Michniewicz
・ Czesław Miłosz
・ Czesław Mroczek
・ Czesław Mączyński
・ Czesław Młot-Fijałkowski
Czesław Niemen
・ Czesław Olech
・ Czesław Petelski
・ Czesław Piątas
・ Czesław Ryll-Nardzewski
・ Czesław Siekierski
・ Czesław Skonieczny
・ Czesław Sobieraj
・ Czesław Spychała
・ Czesław Strumiłło
・ Czesław Suszczyk
・ Czesław Słania
・ Czesław Warsewicz
・ Czesław Wycech
・ Czesław Zajac


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Czesław Niemen : ウィキペディア英語版
Czesław Niemen

Czesław Niemen ((:t͡ʂɛswaf ɲemɛn); February 16, 1939 – January 17, 2004), born Czesław Juliusz Wydrzycki, was one of the most important and original Polish singer-songwriters and rock balladeers of the last quarter-century, singing mainly in Polish.
== Biography==
Niemen was born in Stare Wasiliszki in the Nowogródek Voivodeship of the Second Polish Republic (now in the Grodno Region of Belarus). Czesław Niemen belonged to a huge, strongly self-identified and culturally influential community of Poles, living outside the eastern borders of contemporary Poland, on the eastern lands of the historical Polish-Lithuanian Commonwealth (called 'Kresy' - 'borderlands' - in Polish). In the dawn of World War II these ethnic Belarusian lands were annexed by the Soviet Union and became a part of Belorussian SSR, according to Europe's post-war reorganization performed during the Yalta Conference at the same time when Gdańsk and Wrocław (called Danzig and Breslau in German) became a part of Poland. In the 1950s Niemen was allowed to move to Poland as one of many Poles embodied by the so-called Second Repatriation.
He made his debut in the early 1960s, singing Polish rock and soul music. He possessed an unusually wide voice range and equally rich intonation. He was also an ardent composer and a keyboard player.
In 1964 at Congress Hall, Warsaw, Niemen, together with his group, played as a support act to Marlene Dietrich during her concert. She heard his song ''"Czy mnie jeszcze pamiętasz"'' ("Do you still remember me?") there. She enjoyed it so much that she soon recorded her own version of it ''"Mutter, Hast du Mir Vergeben"'' ("Mother, have you forgiven me?") writing her own lyrics for the song.〔(Plus.pl )〕
Soon after his first successful concerts in France, he started to use the pseudonym ''Niemen'' instead of his real name, gaining wider notoriety in Poland and making it easier to pronounce by foreigners (Niemen is a Polish pronunciation of the Neman River, which flows in close proximity to his place of birth). His song of 1967, "Dziwny jest ten świat" (''Strange Is This World'') is commonly acknowledged to be the most important Polish protest song of that era (in 1972 an English version was also recorded). The song was influenced by the American blues tradition.() He was one of the first Polish performers to wear long hair and colourful clothes and introduced the style of psychedelia to communist Poland, which annoyed the officials. The first three LP album's Niemen recorded with his band "Akwarele" (''Watercolours''). Subsequently, he recorded with his other new bands: "Enigmatic", "Grupa Niemen" and "Aerolit". In 1969 he changed musical style to progressive rock while recording the monumental album ''Enigmatic''. The most notable song from it was "Bema pamięci żałobny rapsod" (''A Mournful Rhapsody in Memory of Józef Bem''), based on the 19th century poem by Cyprian Kamil Norwid. The rest of ''Enigmatic'' songs were also in sung poetry form. Niemen played Hammond organ, later mellotron and Moog synthesizer on his records.
In the early 1970s, Niemen recorded three English language albums under the CBS label, two of them (and three more in Poland) with the Silesian band SBB. With SBB Niemen performed at the 1972 Rock & Jazz Now! opening show for the Olympic Games in Munich sharing stage with Mahavishnu Orchestra, John McLaughlin and Charles Mingus and subsequently toured with the band of Jack Bruce. In 1974 he recorded ''Mourner's Rhapsody'' with Jan Hammer and Rick Laird from Mahavishnu Orchestra. In the seventies, Niemen turned to jazz-rock fusion and electronic music (''Katharsis'' album). In 1972 he also contributed with a song performed by him in "Wesele" (''The Wedding (1972 film)'') by director Andrzej Wajda, laureate of an honorary Oscar. Later, Niemen also composed film soundtracks and theater music. In the 1990s he showed interest in art, painting and computer graphics.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Czesław Niemen」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.