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Deconstructivism
Deconstructivism is a development of postmodern architecture that began in the late 1950s. It is influenced by the theory of "Deconstruction", which is a form of semiotic analysis. It is characterized by fragmentation, an interest in manipulating a structure's surface, skin, non-rectilinear shapes which appear to distort and dislocate elements of architecture, such as structure and envelope. The finished visual appearance of buildings that exhibit deconstructivist "styles" is characterized by unpredictability and controlled chaos.
==History==
Deconstructivism came to public notice with the 1982 Parc de la Villette architectural design competition (especially the entry from Jacques Derrida and Peter Eisenman〔Jacques Derrida and Peter Eisenman, ''Chora L Works'' (New York: Monacelli Press, 1967)〕 and Bernard Tschumi's winning entry), the Museum of Modern Art’s 1988 ''Deconstructivist Architecture'' exhibition in New York, organized by Philip Johnson and Mark Wigley, and the 1989 opening of the Wexner Center for the Arts in Columbus, designed by Peter Eisenman. The New York exhibition featured works by Frank Gehry, Daniel Libeskind, Rem Koolhaas, Peter Eisenman, Zaha Hadid, Coop Himmelb(l)au, and Bernard Tschumi. Since the exhibition, some architects associated with Deconstructivism have distanced themselves from it. Nonetheless, the term has stuck and has come to embrace a general trend within contemporary architecture.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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