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Dharmamangal
The Dharmamangal ((ベンガル語:ধর্মমঙ্গল)) is an important subgenre of mangalkavya, the most significant genre of medieval Bengali literature. The texts belonging to this subgenre eulogize Dharmathakur, a folk deity worshipped in the Rarh region of Bengal. According to tradition, the earliest poet of ''Dharmamangal'' was Mayura Bhatta. The Dharmamangal texts were meant for singing during the twelve-day ritual ceremony, known as ''Gajan''. These texts are part of a larger group of texts associated with the worship of Dharma. In addition to the ''Dharmamangal'' texts, this larger group includes a number of works known as the ''Dharmapuran''s, which narrate the story of creation and the liturgical works known as the ''Samjatpaddhati''s.〔Sen, Sukumar (1991, reprint 2007). ''Bangala Sahityer Itihas'', Vol.II, , Kolkata: Ananda Publishers, ISBN 81-7215-025-3, pp.110-79〕
==''Dharmamangal''==
The texts of the ''Dharmamangal'' comprise two narratives, the narrative of the Puranic king Harishchandra, his queen Madana and Luichandra and the narrative of exploits of a folk hero of Bengal, Lausen. Most significant poets of ''Dharmamangal'' were Rupram Chakrabarty (17th century) and Ghanaram Chakrabarty (17th-18th century). Other poets of Dharmamangal include Khelaram Chakrabarty, Shrishyam Pandit, Dharmadas, Ramdas Adak, Sitaram Das, Yadunath or Yadavram Pandit, Maniklal Ganguli, Ramchandra Bandyopadhyaya, Narasimha Basu, Prabhuram Mukhopadhyaya, Hridayram Sau, Shankar Chakrabarty, Ramnarayan and Ramkanta Ray.〔
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