翻訳と辞書
Words near each other
・ Digital Dragon Ball The World
・ Digital Drugs
・ Digital Dump
・ Digital duplicator
・ Digital Earth
・ Digital Earth Reference Model
・ Digital ecology
・ Digital economy
・ Digital Economy Act 2010
・ Digital economy rankings
・ Digital ecosystem
・ Digital edition
・ Digital Education Revolution
・ Digital Eel
・ Digital effect
Digital Effects (studio)
・ Digital electronic computer
・ Digital Electronic Message Service
・ Digital electronics
・ Digital elevation model
・ Digital embossing
・ Digital Emergency Alert System
・ Digital Emotion
・ Digital Enhanced Cordless Telecommunications
・ Digital Enterprise Research Institute
・ Digital Entertainment Content Ecosystem
・ Digital Entertainment Network
・ Digital environment
・ Digital Envoy
・ Digital Equipment Corporation


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Digital Effects (studio) : ウィキペディア英語版
Digital Effects (studio)

Digital Effects Inc. was an early and innovative computer animation studio at 321 West 44th street in New York City. It was the first computer graphics house in New York City when it opened in 1978, and operated until 1986. It was founded by Judson Rosebush, Jeff Kleiser, Don Leich, David Cox, Bob Hoffman, Jan Prins, and others. Many of the original group came from Syracuse University, where Rosebush taught computer graphics. Rosebush developed the animation software APL Visions and FORTRAN Visions. Kleiser later went on to found Kleiser-Walczak Construction Company, which experimented with creating synthespians and made the animation for Monsters of Grace.
The company's original animation system consisted of a Tektronix display with a 1200 baud modem connection to a remote Amdahl V6 in Bethesda, Maryland, with rendering done on an IBM System 370, recording on an Information International Inc. (III) film recorder in Los Angeles, and final processing and optical printing completed back in New York. The V6 ran APL, and could render at a rate of one polygon per second. The company later built one of the first frame buffers and video paint systems (the Video Palette), acquired a Harris mini-mainframe computer, and a Dicomed 35mm color film recorder.
Digital Effects was one of the first companies in the world to produce "flying logos" for television and advertising, but they aggressively and rapidly expanded their capabilities to include motion capture, form morphing, raster effects, and so forth. Among their early works were historic animated sequences of Times Square, commercials for ''Scientific American,'' and a set of MTV-style demonstration reels. But they are perhaps best remembered for their contribution to the computer graphics in the movie ''Tron'' — among other things, they were responsible for creating the main title, and for the animation of the Bit, including one that accompanies Kevin Flynn in his reconstructed Recognizer.
The name of the company has entered the popular language as a noun which refers to visual effects which are both synthetic as well as image-altering and which occur in the realm of both 2D and 3D graphics and animation. Besides pure 3D computer modeling and animation, digital effects include scene-to-scene transition devices, deformations such as morphing, and color manipulation.
==References==

*
* (【引用サイトリンク】title=Digital Effects )


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Digital Effects (studio)」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.