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・ Déryné Róza Széppataki
・ Déré
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・ Désenchantée
・ Désert
・ Désert (novel)
・ Désert (song)
・ Désert de Retz
・ Désertines
・ Désertines, Allier
・ Désertines, Mayenne
Déserts
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・ Déshabillez-moi
・ Dési Bouterse
・ Désintégrations
・ Désiré
・ Désiré (baritone)
・ Désiré (film)
・ Désiré André
・ Désiré Bastin
・ Désiré Beaurain
・ Désiré Bourgeois
・ Désiré Charnay
・ Désiré Collen
・ Désiré Dalloz


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Déserts : ウィキペディア英語版
Déserts

''Déserts'' (1950–1954) is a piece by Edgard Varèse for 14 winds (brass and woodwinds), 5 percussion players, 1 piano, and electronic tape.〔"Blue" Gene Tyranny (2010). "(Déserts for brass, percussion, piano & tape )", ''AllMusic.com''.〕 Percussion instruments are exploited for their resonant potential, rather than used solely as accompaniment.〔Sitsky, Larry (2002). ''Music of the Twentieth-Century Avant-Garde: a Biocritical Sourcebook'', p.533. ISBN 978-0-313-29689-5.〕 According to Varèse the title of the piece regards, "not only physical deserts of sand, sea, mountains, and snow, outer space, deserted city streets... but also distant inner space... where man is alone in a world of mystery and essential solitude."〔
The piece was created as a soundtrack to a modernist film.〔Griffiths, Paul (1995). ''Modern Music and After'', p.129. ISBN 978-0-19-816511-8.〕 According to "Blue" Gene Tyranny, "It is now recognized as an exceptional example of truly humanistic music."〔 It "has been described... as atonal, athematic,... amotivic," and its orchestration has "been labeled subtle."〔 As Paul Griffiths describes:
With electronic sections based upon factory sounds and percussion instruments, Varèse began composition in 1953 (or 1952〔) upon the anonymous gift of an Ampex tape recorder, worked further on the piece at Pierre Schaeffer's studio at Radiodiffusion-Télévision Française, and revised it at the Columbia-Princeton Electronic Music Center. The electronic sections were composed later, and the piece may be performed without them, reducing its length by seven minutes.〔
The first performance of the combined orchestral and tape sound composition was given at the Théâtre des Champs-Élysées in Paris on December 2, 1954, with Hermann Scherchen conducting and Pierre Henry in charge of the tape part. This performance was part of an ORTF broadcast concert, in front of a totally unprepared and mainly conservative audience, with ''Déserts'' wedged between pieces by Mozart and Tchaikovsky. It received a vitriolic reaction from both the audience and the press.
==Sources==


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Déserts」の詳細全文を読む



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