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・ Einar Førde
・ Einar Galilea
・ Einar Gausel
・ Einar Gauslaa
・ Einar Gelius
・ Einar Gerhardsen
・ Einar Gerhardsens plass
・ Ein Elkaram
・ Ein Elkorum
・ Ein Fall für B.A.R.Z.
・ Ein Fall für die Anrheiner
・ Ein Fall für Stein
・ Ein Fall für TKKG
・ Ein Fall für zwei
・ Ein Farraj
Ein Feldlager in Schlesien
・ Ein Feshkha
・ Ein feste Burg ist unser Gott, BWV 80
・ Ein Ganim
・ Ein Gedi
・ Ein Gedi (disambiguation)
・ Ein Gedi (kibbutz)
・ Ein Gedi Mineral Water
・ Ein Gedi race
・ Ein Gedi Spa
・ Ein Gev
・ Ein HaBesor
・ Ein HaEmek
・ Ein HaHoresh
・ Ein HaMifratz


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Ein Feldlager in Schlesien : ウィキペディア英語版
Ein Feldlager in Schlesien
''Ein Feldlager in Schlesien'' (''A Camp in Silesia'') is a Singspiel in three acts by Giacomo Meyerbeer with a German-language libretto by Ludwig Rellstab after Eugène Scribe's ''Le camp de Silésie''. It was first performed at the Hofoper, Berlin, on 7 December 1844; a version with a revised libretto by Charlotte Birch-Pfeiffer, titled ''Vielka'', opened in Vienna on 18 February 1847. Much material from the opera was later reused for Meyerbeer's opéra comique ''L'étoile du nord'' (1854).
==Background==
Shortly after Meyerbeer arrived in Berlin in 1842 the opera house was destroyed by a fire. Meyerbeer was invited to compose a brand new work for the festive occasion of the reopening of the opera house. The reigning Prussian king at the time was Frederick William IV, of the house of Hohenzollern. What better theme for this opera than a work celebrating the king's famous ancestor, Frederick the Great? But there was one problem; members of the ruling Hohenzollern family could not be depicted on stage. Therefore, Frederick, whilst the nominal subject of the opera, remaons unseen, but is, however, heard playing the flute in the background.
The selection of the librettist was a political issue. Meyerbeer wanted his trusted librettist Eugène Scribe, but the idea of a Frenchman writing the libretto for what was to be the Prussian national opera was unacceptable. The king wanted Ludwig Rellstab, a critic who was Meyerbeer's enemy, in the hopes that this would reconcile the two men. Meyerbeer, an astute diplomat, found a solution: Scribe was to provide the text, in secret, agreeing never to claim ownership, and Rellstab would translate it. Thus, the libretto was credited to the latter, and it was only recently that its true author was discovered.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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