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was a Japanese ukiyo-e artist. Born to a well-off samurai family that was part of the Fujiwara clan, Eishi left his employ with the Shogun Ieharu to pursue art. His early works were prints were mostly ''bijin-ga'' portraits of beautiful women in a style akin to Kiyonaga and Utamaro. He was a prolific painter, and from 1801 gave up print designing to devote himself to painting. ==Life and career== Eishi was born Hosoda Tokitomi () in 1756 to a well-provided samurai family that was part of the prestigious Fujiwara clan. His grandfather Hosoda Tokitoshi (細田 時敏) had held an influential position in the shogunate as Treasury Minister. In 1772 he came to head his family when his father Hosoda Tokiyuki () died. From 1781 he held a position in the palace of the Shogun, Tokugawa Ieharu. How Eishi took to art is unknown. He appears to have studied under Kanō Michinobu of the Kanō school of painting, from whom he likely was given the art name Eishi—though tradition holds he received the name from Shogun Ieharu. About 1784 he left the official service of the Shogun and began to train under Torii Bunryūsai, an ukiyo-e artist about whom almost nothing is known. Eishi's earliest known work dates to the following year. He remained unofficially in the Shogun's service until 1789, and thereafter left his family in the hands of his adopted son Tokitoyo (), thereby giving up his samurai rank; he reasoned that his ill health did not permit him to continue with such duties. Eishi's earliest works were colour ' prints. The subjects are such literary fare as ''The Tale of Genji'' and are in subdued tones, as required by contemporary laws against ostentation. He went on to specialized in ' portraits of beautiful women, of which he produced a number of series. His most prominent rival at first was Kiyonaga; later his work competed against that of Utamaro. His manner of depicting women went through stages: the earliest were of courtesans much in the manner of Kiyonaga; then seated women performing daily activities such as reading or writing, set against bright backgrounds; later, slender women standing against minimal, subdued backgrounds. Eishi depicted gradually taller and more slender women until, in the latest prints, their heads were one-twelfth the height of the figures; more so even than Kiyonaga, whose reputation is for tall, slender beauties. Eishi made occasional illustrations for books of ' erotica. He was a prolific painter of such standing that in 1800 a painting of his entered the collection of the cloistered Empress Go-Sakuramachi and he was grantd the honorary title Jibukyō (). Eishi abandoned print designing for painting after 1801. He died in the seventh month of 1829 and was buried at Rengeji Temple. His Buddhist posthumous name is Kōsetsuin Denkaishin Eishi Nichizui Koji (). He also used the personal names Min'nojō () and Yasaburō (). Most of his students are little remembered; the best known are and Eishō. Brooklyn Museum - 'Hana no En' from 'Eight Views of Disguised Genji (Furyu Yatsushi Genji)' - Eishi Chobunsai.jpg|alt=|''Hana no En'', colour woodblock print, , from ''Eight Views of Disguised Genji'' Brooklyn Museum - Cherry Blossom Viewing at Gotenyama Hill - Eishi Chobunsai.jpg|alt=|''Cherry Blossom Viewing at Gotenyama Hill'', colour woodblock print, Chobunsai Eishi - c. 1800, Woodblock print; ink and color on paper.jpg|alt=|''Courtesans of the Ōgiya Brothel'', colour woodblock print, Chôbunsai Eishi Concours de plaisirs des quatre saisons.JPG|alt=|''Summer'', from the series ''Pleasure Competition in the Four Seasons'', colour on silk, Ōta Nampo.jpg|alt=|''Ōta Nanpo'', 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Eishi」の詳細全文を読む スポンサード リンク
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