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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Emak-Bakia ： ウィキペディア英語版 Emak-Bakia ''Emak-Bakia'' (Basque for ''Leave me alone'') is a 1926 film directed by Man Ray. Subtitled as a ''cinépoéme'', it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. ==Synopsis== ''Emak-Bakia'' shows elements of fluid mechanical motion in parts, rotating artifacts showing his ideas of everyday objects being extended and rendered useless. Kiki of Montparnasse (Alice Prin) is shown driving a car in a scene through a town. Towards the middle of the film Jacques Rigaut appears dressed in female clothing and make-up. Later in the film a caption appears: "''La raison de cette extravagance''" (the reason for this extravagance). The film then cuts to a car arriving and a passenger leaving with briefcase entering a building, opening the case revealing men's shirt collars which he proceeds to tear in half. The collars are then used as a focus for the film, rotating through double exposures. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Emak-Bakia」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.