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Esemplastic
Esemplastic is a qualitative adjective which the English romantic poet Samuel Taylor Coleridge claimed to have invented. Despite its etymology from the Ancient Greek word πλάσσω for "to shape", the term was modeled on Schelling's philosophical term ''Ineinsbildung'' – the interweaving of opposites – and implies the process of an object being moulded into unity.〔(【引用サイトリンク】url=http://www.oed.com.turing.library.northwestern.edu/viewdictionaryentry/Entry/64343 )〕 The first recorded use of the word is in 1817 by Coleridge in his work, ''Biographia Literaria'', in describing the esemplastic – the unifying – power of the imagination. ==''Biographia Literaria''== The ''Biographia Literaria'' was one of Coleridge's main critical studies in which he discusses the elements and process of writing. In this work, Coleridge establishes a criterion for good literature, making a distinction between the imagination and "fancy". Whereas fancy rested on the mechanical and passive operations of one's mind to accumulate and store data, imagination held a "mysterious power" to extract "hidden ideas and meaning" from such data. Thus, Coleridge argues that good literary works employ the use of the imagination and describes its power to "shape into one" and to "convey a new sense" as esemplastic. He emphasizes the necessity of creating such a term as it distinguishes the imagination as extraordinary and as "it would aid the recollection of my meaning and prevent it being confounded with the usual import of the word imagination".〔(【引用サイトリンク】first=Sana )〕
抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)』 ■ウィキペディアで「Esemplastic」の詳細全文を読む
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