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''EVOL'' is the third studio album by American alternative rock band Sonic Youth. It was released in May 1986 by SST Records, the band's first release on the label. The noise rock album is notable for being the first with new drummer Steve Shelley, replacing Bob Bert, and for showing signs of the band's transition from their no wave past toward a greater pop sensibility.〔 Despite not being successful at the time, the album received great retrospective praise; Pitchfork said that ''EVOL'' "() where the seeds of greatness were sown", and placed the album 31st on their Top 100 Albums of the 1980s list, alongside Sonic Youth's next two albums, ''Sister'' and ''Daydream Nation'', which ranked 14th and first, respectively. == Background and recording == In June 1985, during the Bad Moon Rising tour, previous drummer Bert left the band and was replaced by Shelley. The new lineup quickly began working on new material for their third album. The band signed to SST, as by 1986, label founder Greg Ginn was anxious for the label to move away from its American hardcore roots. Sonic Youth took a break from the tour and finished the writing for ''EVOL''. In March 1986, the band recorded the album at BC Studio with New York recording icon Martin Bisi. ''EVOL'' marked the second time that the band had worked with New York singer and performance artist Lydia Lunch. Lunch had shared vocal duties on ''Bad Moon Rising'' Mike Watt played bass guitar on the tracks "In the Kingdom #19" and the band's cover of "Bubblegum". The band encouraged him to play on the former track shortly after Watt's fellow Minutemen band member D. Boon died in a car crash. Coincidentally, the song is also about a car crash. Watt had entered a severe depression following Boon's death and was considering leaving his career in music behind. He credited the time he spent with the members of Sonic Youth during the recording of ''EVOL'' as a major factor in his decision to re-enter the music world.〔 Watt's next band, Firehose, would support Sonic Youth on their Flaming Telepaths tour. During this time, the band began the Ciccone Youth project, which featured all members of Sonic Youth and Watt. They released a single consisting of three tracks: "Into the Groove(y)" (a cover of Madonna's hit "Into the Groove", incorporating snippets of her recording) and the short "Tuff Titty Rap" on the A-side (both performed by the Sonic Youth members), and "Burnin' Up" (performed by Watt with additional guitars by Ginn) on the B-side. The project would later result in 1988's ''The Whitey Album''. On the vinyl-format version of the album, the time length for "Expressway to Yr. Skull" was indicated by the infinity symbol (∞); the final moment of the song featured a locked groove, making it theoretically endless. The CD version added a bonus track: the band's cover of the Kim Fowley tune "Bubblegum". According to Watt, he and Shelley played the basic rhythm track over the actual Fowley record, which was afterwards removed when the other members added their parts. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Evol」の詳細全文を読む スポンサード リンク
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