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Fisch-Ton-Kan
''Fisch-Ton-Kan'' is an opéra bouffe in one act by Emmanuel Chabrier of which only some numbers survive. The French libretto was by Paul Verlaine, and probably Lucien Viotti, after the 'parade chinoise' ''Fich-Tong-Khan ou L'orphelin de le Tartarie'' of 1835 by Thomas Sauvage (1794-1877) and Gabriel de Lurieu (1792-1869).
The title is tongue-in-cheek, as ''Fisch-Ton-Kan'' is a phonetic rendition of French ''fiche ton camp'', which may be translated as "clear off!".
==Background==
Composed around 1864, when Verlaine and Chabrier, working as a civil servant, had become good friends, only five complete numbers survive from this early comic work. Many of the situations recur in Chabrier's opéra bouffe of 1877, ''L'étoile'': Goulgouly becomes Laoula, Fisch-Ton-Kan turns into Lazuli and Kakao is a precursor of Ouf Ier. The 'Air de Poussah' was re-used by Chabrier in his ''Ronde Champêtre'', a piano work of 1880. Manuscripts of ''Fisch-Ton-Kan'' in the Bibliothèque Nationale include an early version of the 'Couplets du Pal' from ''L'étoile''.
''Le Sire de Fisch-Ton-Kan'' was a satirical 'chanson' (music by Antonin Louis, words by Paul Burani) which became very popular in Paris after the fall of Napoleon III and mocked the ex-emperor, his family and court.〔Chepfer G. La chansonette et la musique au café-concert. In: ''Cinquante Ans de Musique Française de 1874 à 1925.'' Les Éditions Musicales de la Librairie de France, Paris, 1925.〕
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