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The Glaspaleis (in English: ''Glass Palace'') is a modernist building in Heerlen, Netherlands, built in 1935. Formerly a fashion house and department store, Schunck, it is now the cultural centre of the city. The original name was ''Modehuis Schunck'' (Schunck Fashion House), but it was soon nicknamed ''Glaspaleis'', which is now the official name. The architectural style is largely according to what is in the Netherlands known as ''het Nieuwe Bouwen'', which corresponds roughly to Modernism, Bauhaus and International style. The visually most distinguishing aspect is the free-standing glass that covers three sides, which makes it even more transparent than the famous Bauhaus building in Dessau and is part of the natural climate control. *In 1995, it was declared a National Monument for the purpose of historic preservation *In 1999, it was put on the list of the ''1000 most important buildings of the 20th century'' by the International Union of Architects during their World Congress in Beijing. *In 2004, it won the first Bouwfonds Award in the category 'Vital Monuments'. *In 2005, it won the Nederlandse Bouwprijs (Dutch Construction Award) in the 'Projects' category. *In 2005, it also won the Nationale Renovatieprijs (National Renovation Award) in the 'Utiliteitsbouw' category. ==Planning== The Glaspaleis was commissioned in 1934 by fabric merchant Peter Schunck, who had studied architectural magazines and visited several department stores throughout Europe to find inspiration, together with Frits Peutz, a relatively young and somewhat controversial architect (because he was a modernist but not in a dogmatic way). They were especially inspired by the architecture of a department store in Nantes, France, ''Les Grands Magasins Decré'' (built 1932, and destroyed during a bombing raid in 1943), designed by Henri Sauvage (1873–1932) in Art Deco style. Another source of inspiration for Peutz was the 1930 Van Nelle Factory in Rotterdam, a classical example of this style at the time. A third player (next to Schunck and Peutz) who made this sort of building possible was the then mayor Marcel van Grunsven, who wanted to modernise Heerlen in avangardist fashion, thus ensuring the required permits were no problem, despite the fact that the local planning board had opposed precisely the innovative aspects of the design. But the City council gave the go ahead, apart from a few minor points. The job was given to Maastrichtse Betonijzerbouw (reinforced concrete builder) P. Knols, who had made the lowest bid at 184,500 guilders. Like the old shop, the Glaspaleis was built bang in the middle of three squares in the centre of Heerlen, with the new Market Square ('de Bongerd') to the North, the Church Square to the West and the Emma Square to the South, behind the old shop, which was to remain in use and connected to the Glaspaleis. The market used to be at the Church Square, but when it moved to the new Market Square, the shop lost its strategic location, which was one reason for the move. Department store chain Vroom & Dreesmann, who had opened a store right next to the site five years earlier ('B' in the overview), bought one of the houses at the opposite side of the location (Logister's umbrella shop - 'C') to hamper Schunck's efforts, but this was solved by simply building around it. Vroom en Dreesman never made use of the house, which was located in between the old shop and the new Glaspaleis, leaving it to decay. It remained an eyesore until well after World War II. Schunck only managed to buy it in 1960, for the exorbitant price of 2.000.000 guilders. The buildings to the South (including the old shop) have since been torn down, creating the much larger Pancratius Square. The section to the West was given to the City and cleared, creating a pedestrian passage between the Pancratius and Market Squares. As a result, the Glaspaleis is now completely free-standing. The building to the East has been replaced by the music school annex. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Glaspaleis」の詳細全文を読む スポンサード リンク
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