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Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. One of the first scales employed by the ancient Tamils(3BCE) was the ''Mullaipann'', a pentatonic scale composed of the notes ''sa ri ga pa da'', equivalent to C, D, E, G and A in the western notations. These fully harmonic scales, constitutes the raga Mohanam in the Carnatic music style. ''Mullaipann'' further evolved into ''Sempaalai'', a scale based on seven notes by the addition of two more notes, ''ma'' and ''ni'' to the pentatonic scale. ''Sempaalai pann'' corresponds to the Carnatic raga Harikambhoji. ''Khamaj thaat'' of Hindustani Music is the equivalent to this rāgam.〔''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications〕〔''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras〕 It is known as Harikedāragowla in the Muthuswami Dikshitar school of music.〔〔 In Western music, Mixolydian mode is this raga's equivalent. ==Structure and Lakshana== It is the 4th rāgam in the 5th ''chakra Bana''. The mnemonic name is ''Bana-Bhu''. The mnemonic phrase is ''sa ri ga ma pa dha ni sa''.〔 Its structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : S R2 G3 M1 P D2 N2 S * : S N2 D2 P M1 G3 R2 S (notes used in this scale are ''chathusruthi rishabham, antara gandharam, shuddha madhyamam, chathusruthi dhaivatham, kaisiki nishadham'') It is a ''sampoorna'' rāgam – rāgam having all 7 ''swarams''. It is the ''shuddha madhyamam'' equivalent of ''Vachaspati'', which is the 64th ''melakarta''. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Harikambhoji」の詳細全文を読む スポンサード リンク
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