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In music, (German for ''primary voice'') or is the main voice, chief part; i.e., the contrapuntal or melodic line of primary importance, in opposition to . (German for ''secondary voice'') or is the secondary part; i.e., a secondary contrapuntal or melodic part, always occurring simultaneously with, and subsidiary to, the . The terms are used primarily by Arnold Schoenberg, Alban Berg, and Anton Webern. They are commonly indicated in musical scores with the marks "H" and "N".〔Bryn-Julson, Phyllis and Mathews, Paul (2009). ''Inside Pierrot Lunaire'', p. 24. ISBN 978-0-8108-6205-0.〕 Further contrapuntal lines or material may be considered accompaniment.〔Adorno, Theodor W.; Brand, Juliane; and Hailey, Christopher (1991). ''Alban Berg, Master of the Smallest Link'', p. 97. ISBN 978-0-521-33884-4.〕 Other examples of the terms' use include lead and back up vocals, melody and counter-melody. In a footnote to a musical score, Schoenberg wrote, "The human voice is always (present )."〔Leinsdorf, Erich (1982). ''The Composer's Advocate'', p. 179. ISBN 978-0-300-02887-4.〕 ==Hauptrhythmus== A (plural ) is a rhythmic motif or cell. The ''Hauptrhythmus'' of Alban Berg's Chamber Concerto is:〔Hailey, Christopher (2010). ''Alban Berg and His World'', p.213-14. ISBN 9781400836475.〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hauptstimme」の詳細全文を読む スポンサード リンク
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