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Hesiod ( or ;〔"Hesiod." Dictionary.com Unabridged. Random House, Inc. 5 April 2011. (dictionary.com )〕 ''Hēsíodos'') was a Greek poet generally thought by scholars to have been active between 750 and 650 BC, around the same time as Homer.〔West, M. L. ''Theogony''. Oxford University Press (1966), page 40〕〔Jasper Griffin, "Greek Myth and Hesiod", J.Boardman, J.Griffin and O. Murray (eds), ''The Oxford History of the Classical World'', Oxford University Press (1986), page 88〕 His is the first European poetry in which the poet regards himself as a topic, an individual with a distinctive role to play.〔J.P. Barron and P.E. Easterling, "Hesiod" in ''The Cambridge History of Classical Literature: Greek Literature'', P. Easterling and B. Knox (eds), Cambridge University Press (1985), page 92〕 Ancient authors credited Hesiod and Homer with establishing Greek religious customs.〔Antony Andrewes, ''Greek Society'', Pelican Books (1971), pages 254–5〕 Modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought (he is sometimes considered history's first economist),〔Rothbard, Murray N., ''Economic Thought Before Adam Smith: Austrian Perspective on the History of Economic Thought, Vol. 1,'' Cheltenham, UK, Edward Elgar Publishing, 1995, pg. 8; Gordan, Barry J., ''Economic analysis before Adam Smith: Hesiod to Lessius'' (1975), pg. 3; Brockway, George P., ''The End of Economic Man: An Introduction to Humanistic Economics'', fourth edition (2001), pg 128.〕 archaic Greek astronomy and ancient time-keeping. ==Life== The dating of his life is a contested issue in scholarly circles and it is covered below in Dating. Hesiod was the poet who told the story of Pandora's Jar in approximately 650 BC. Epic narrative allowed poets like Homer no opportunity for personal revelations. However, Hesiod's extant work comprises didactic poems in which he went out of his way to let his audience in on a few details of his life. There are three explicit references in ''Works and Days'', as well as some passages in his ''Theogony'' that support inferences made by scholars. We learn in the former poem that his father came from Cyme in Aeolis (on the coast of Asia Minor, a little south of the island Lesbos), and crossed the sea to settle at a hamlet, near Thespiae in Boeotia, named Ascra, "a cursed place, cruel in winter, hard in summer, never pleasant" (''Works'', l. 640). Hesiod's patrimony there, a small piece of ground at the foot of Mount Helicon, occasioned lawsuits with his brother Perses, who seems at first to have cheated him of his rightful share thanks to corrupt authorities or "kings" but later became impoverished and ended up scrounging on the thrifty poet (''Works'' l. 35, 396). Unlike their father, Hesiod was averse to sea travel, but he once crossed the narrow strait between the Greek mainland and Euboea to participate in funeral celebrations for one Athamas of Chalcis, and there he won a tripod in a singing competition.〔Jasper Griffin, 'Greek Myth and Hesiod' in ''The Oxford History of the Classical World'', J.Boardman, J.Griffin and O.Murray (eds), Oxford University Press (1986), page 88, 95〕 He also describes a meeting between himself and the Muses on Mount Helicon, where he had been pasturing sheep when the goddesses presented him with a laurel staff, a symbol of poetic authority (''Theogony'', ll. 22–35) Fanciful though the story might seem, the account has led ancient and modern scholars to infer that he did not play the lyre, or that he was not professionally trained, otherwise he would have been presented with a lyre instead.〔See discussion by M.L. West, ''Hesiod: Theogony'', Oxford University Press (1966), pages 163–4 note 30, citing for example Pausanias 9.30.3. Rhapsodes in post-Homeric times are often shown carrying either a laurel staff or a lyre but in Hesiod's earlier time the staff seems to indicate that he was not a rhapsode i.e. he was not a professional minstrel. Meetings between poets and the Muses became part of poetic folklore—compare for example Archilochus's account of his meeting the Muses while leading home a cow, and also the legend of Cædmon.〕 Some scholars have seen Perses as a literary creation, a foil for the moralizing that Hesiod develops in ''Works and Days,'' but there are also arguments against this theory.〔Hugh G. Evelyn-White, ''Hesiod, The Homeric Hymns and Homerica'' (Cambridge: Harvard University Press, 1964) Volume 57 of the Loeb Classical Library, pp. xivf.〕 For example, it is quite common for works of moral instruction to have an imaginative setting, as a means of getting the audience's attention,〔Jasper Griffin, in ''The Oxford History of the Classical World'', O.U.P (1986), cites for example the Book Of Ecclesiastes, a Sumerian text in the form of a father's remonstrance with a prodigal son, and Egyptian wisdom texts spoken by viziers etc. Hesiod was certainly open to Oriental influences, as is clear in the myths presented by him in ''Theogony''〕 but it is difficult to see how Hesiod could have travelled the countryside entertaining people with a narrative about himself if the account was known to be fictitious.〔Jasper Griffin, 'Greek Myth and Hesiod' in ''The Oxford History of the Classical World'', J.Boardman, J.Griffin and O.Murray (eds), Oxford University Press (1986), page 95〕 Gregory Nagy, on the other hand, sees both ''Persēs'' ("the destroyer": ''perthō'') and ''Hēsiodos'' ("he who emits the voice:" ''hiēmi'' and ''audē'') as fictitious names for poetical personae.〔Gregory Nagy, ''Greek Mythology and Poetics'' (Cornell 1990), pp. 36–82.〕 It might seem unusual that Hesiod's father migrated from Asia Minor westwards to mainland Greece, the opposite direction to most colonial movements at the time, and Hesiod himself gives no explanation for it. However around 750 BC, or a little later, there was a migration of seagoing merchants from his original home in Cyme in Asia Minor to Cumae in Campania (a colony they shared with Euboeans), and possibly his move west had something to do with that, since Euboea is not far from Boetia, where he eventually established himself and his family.〔J.P. Barron and P.E.Easterling, 'Hesiod' in ''The Cambridge History of Classical Literature: Greek Literature'', P. Easterling and B. Knox (eds), Cambridge University Press (1985), page 93〕 The family association with Cyme might explain his familiarity with eastern myths, evident in his poems, though the Greek world might have already developed its own versions of them.〔A.R. Burn, ''The Pelican History of Greece'', 77〕 In spite of Hesiod's complaints about poverty, life on his father's farm could not have been too uncomfortable if ''Works and Days'' is anything to judge by, since he describes the routines of prosperous yeomanry rather than peasants. His farmer employs a friend (l. 370) as well as servants (ll. 502, 573, 597, 608, 766), an energetic and responsible ploughman of mature years (ll. 469–71), a slave boy to cover the seed (ll. 441–6), a female servant to keep house (ll. 405, 602) and working teams of oxen and mules (ll. 405, 607f.).〔J.P. Barron and P.E.Easterling, 'Hesiod' in ''The Cambridge History of Classical Literature: Greek Literature'', P. Easterling and B. Knox (eds), Cambridge University Press (1985), pages 93–4〕 One modern scholar surmises that Hesiod may have learned about world geography, especially the catalogue of rivers in ''Theogony'' (ll. 337–45), listening to his father's accounts of his own sea voyages as a merchant〔M.L. West, ''Hesiod: Theogony'', Oxford University Press (1966), pages 41–2〕 The father probably spoke in the Aeolian dialect of Cyme but Hesiod probably grew up speaking the local Boeotian dialect. However, while his poetry features some Aeolisms there are no words that are certainly Boeotian—he composed in the main literary dialect of the time (Homer's dialect): Ionian.〔M.L. West, ''Hesiod: Theogony'', Oxford University Press (1966), pages 90–1〕 It is probable that Hesiod wrote his poems down, or dictated them, rather than passed them on orally, as rhapsodes did—otherwise the pronounced personality that now emerges from the poems would surely have been diluted through oral transmission from one rhapsode to another. Pausanias asserted that Boeotians showed him an old tablet made of lead on which the Works were engraved.〔Pausanias, Description of Greece, (9.31.4 )〕 If he did write or dictate, it was perhaps as an aid to memory or because he lacked confidence in his ability to produce poems extempore, as trained rhapsodes could do. It certainly wasn't in a quest for immortal fame since poets in his era had no such notions. However, some scholars suspect the presence of large-scale changes in the text and attribute this to oral transmission.〔M.L. West, ''Hesiod: Theogony'', Oxford University Press (1966), pages 40–1, 47–8〕 Possibly he composed his verses during idle times on the farm, in the spring before the May harvest or the dead of winter.〔A.R. Burns, ''The Pelican History of Greece'', 77〕 The personality behind the poems is unsuited to the kind of "aristocratic withdrawal" typical of a rhapsode but is instead "argumentative, suspicious, ironically humorous, frugal, fond of proverbs, wary of women."〔Jasper Griffin, 'Greek Myth and Hesiod' in ''The Oxford History of the Classical World'', O.U.P (1986), page 88〕 He was in fact a misogynist of the same calibre as the later poet, Semonides.〔J.P. Barron and P.E. Easterling, 'Hesiod' in ''The Cambridge History of Classical Literature: Greek Literature'', P. Easterling and B. Knox (eds), Cambridge University Press (1985), page 99〕 He resembles Solon in his preoccupation with issues of good versus evil and "how a just and all-powerful god can allow the unjust to flourish in this life". He resembles Aristophanes in his rejection of the idealised hero of epic literature in favour of an idealised view of the farmer.〔Antony Andrewes, ''Greek Society'', Pelican Books (1971), pages 218–19, 262〕 Yet the fact that he could eulogise kings in ''Theogony'' (ll. 80ff, 430, 434) and denounce them as corrupt in ''Works and Days'' suggests that he could resemble whichever audience he composed for.〔M.L. West, ''Hesiod: Theogony'', Oxford University Press (1966), page 44〕 Various legends accumulated about Hesiod and they are recorded in several sources: *the story "The poetic contest ( / Agōn) of Homer and Hesiod;"〔Translated in Evelyn-White, ''Hesiod'', pp. 565–597.〕 *a ''vita'' of Hesiod by the Byzantine grammarian John Tzetzes; *the entry for Hesiod in the ''Suda''; *two passages and some scattered remarks in Pausanias (IX, 31.3–6 and 38.3–4); *a passage in Plutarch ''Moralia'' (162b). Two different—yet early—traditions record the site of Hesiod's grave. One, as early as Thucydides, reported in Plutarch, the ''Suda'' and John Tzetzes, states that the Delphic oracle warned Hesiod that he would die in Nemea, and so he fled to Locris, where he was killed at the local temple to Nemean Zeus, and buried there. This tradition follows a familiar ironic convention: the oracle that predicts accurately after all. The other tradition, first mentioned in an epigram by Chersias of Orchomenus written in the 7th century BC (within a century or so of Hesiod's death) claims that Hesiod lies buried at Orchomenus, a town in Boeotia. According to Aristotle's ''Constitution of Orchomenus,'' when the Thespians ravaged Ascra, the villagers sought refuge at Orchomenus, where, following the advice of an oracle, they collected the ashes of Hesiod and set them in a place of honour in their ''agora'', next to the tomb of Minyas, their eponymous founder. Eventually they came to regard Hesiod too as their "hearth-founder" ( / ''oikistēs''). Later writers attempted to harmonize these two accounts. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hesiod」の詳細全文を読む スポンサード リンク
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