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''Hirajōshi'' scale, or is a tuning scale adapted from shamisen music by Yatsuhashi Kengyō for tuning of the ''koto''. "The ''hirajoshi'', ''kumoijoshi'', and ''kokinjoshi'' 'scales' are Western derivations of the koto tunings of the same names. These scales have been used by rock and jazz guitarists in search of 'new' sounds."〔Speed, Burgess (2008). ''Japan: Your Passport to a New World of Music'', p.15. ISBN 978-0-7390-4303-5.〕 Burrows gives C-E-F-G-B.〔Burrows, Terry (1999). ''How to Read Music'', p.90. ISBN 9780312241599.〕 Sachs,〔Meyer, Leonard B. (1961). ''Emotion and Meaning in Music'', p.224. ISBN 978-0-226-52139-8.〕 as well as Slonimsky,〔Nicolas Slonimsky, (1947). ''Thesaurus of Scales and Musical Patterns'', pg. 160〕 give C-D-F-G-B. Speed〔 and Kostka & Payne〔Kostka & Payne (1995). ''Tonal Harmony'', p.484. Third Edition. ISBN 0-07-300056-6.〕 give C-D-E-G-A. Note that all are hemitonic pentatonic scales (five note scales with one or more semitones) and are different modes of the same pattern of intervals, 2-1-4-1-4 semitones. The five modes of ''hirajoshi'' can also be derived as subsets of the Ionian, Phrygian, Lydian, Aeolian, and Locrian modes. Synonymous scales have different names per region of Japan, as well as according to several ethnomusicologists and researchers, which may lead to some confusion. For example, the ''Iwato'' scale bears the same intervals as Slonimsky's concept of the ''Hirajoshi'' scale, and is also the fourth mode of the ''In'' scale. The same scale given by Kostka & Payne matches the third mode of the ''In'' scale. ==See also== * In scale * Japanese mode 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Hirajōshi scale」の詳細全文を読む スポンサード リンク
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