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・ Holophaea endoleuca
・ Holophaea erharda
・ Holophaea eurytorna
・ Holophaea gentilicia
・ Holophaea lugens
・ Holophaea lycone
・ Holophaea melita
・ Holophaea prometina
・ Holophaea ruatana
・ Holophaea vesta
・ Holophaga foetida
・ Holophagales
・ Holophagus
・ Holophane
・ Holophonic
Holophonics
・ Holophrasis
・ Holophrastic indeterminacy
・ Holophysis
・ Holophysis anoma
・ Holophysis autodesma
・ Holophysis auxiliaris
・ Holophysis barydesma
・ Holophysis emblemella
・ Holophysis quadrimaculata
・ Holophysis stagmatophoria
・ Holophysis tentatella
・ Holophysis xanthostoma
・ Holoplankton
・ Holoplatys


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Holophonics : ウィキペディア英語版
Holophonics

Holophonics is a binaural recording system created by Hugo Zuccarelli, that is based on the claim that the human auditory system acts as an interferometer. It relies on phase variance, just like stereophonic sound. The sound characteristics of holophonics are most clearly heard through headphones; though they can be effectively demonstrated with two-channel stereo speakers, provided that they are phase-coherent. The word "holophonics" is related to "acoustic hologram".
Zuccarelli's company, Acoustic Integrity, also sells loudspeakers under the Holophonics brand.
==History==

Holophonics was created by Argentinian inventor, Hugo Zuccarelli, in 1980 during his studies at the Politecnico di Milano university. In 1983, Zuccarelli released a recording entitled ''Zuccarelli Holophonics (The Matchbox Shaker)'' in the United Kingdom (UK) that was produced by CBS. The recording consisted entirely of short recordings of sound effects designed to show off the Holophonics system. These included a shaking matchbox, haircut and blower, bees, balloon, plastic bag, birds, airplanes, fireworks, thunder and racing cars. In its early years, Holophonics was used by various artists, including Pink Floyd for ''The Final Cut'' (1983), Roger Waters on his solo album, ''The Pros and Cons of Hitch Hiking'' (1984) and Psychic TV's ''Dreams Less Sweet'' (1983). The system has been used in a film soundtrack, popular music, television and theme parks.
Zuccarelli states that the human auditory system is a sound emitter, producing a reference sound that combines with incoming sound to form an interference pattern inside the ear. The nature of this pattern is sensitive to the direction of the incoming sound. According to the hypothesis, the cochlea detects and analyzes this pattern as if it were an acoustic hologram. The brain then interprets this data and infers the direction of the sound. An article from Zuccarelli presenting this theory was printed in the magazine ''New Scientist'' in 1983. This article was soon followed by two letters, casting doubt on Zuccarelli's theory and his scientific abilities.〔Zuccarelli, Hugo; "Ears Hear by Making Sounds," New Scientist, 438-440 1983〕〔Baxter, A.J., and Kemp, David T.; "Zuccarelli's Theory," New Scientist, 606-606 1983〕
To date, there has been no evidence provided that any acoustic emissions are used for sound localization. Holophonics, like binaural recording, instead reproduces the interaural differences (arrival time and amplitude between the ears), as well as rudimentary head-related transfer functions (HRTF). These create the illusion that sounds produced in the membrane of a speaker emanate from specific directions.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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