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Hornbostel–Sachs
Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the ''Zeitschrift für Ethnologie'' in 1914.〔Volume 46 (1914) of the ''Zeitschrift'' is available online in a (variety of formats ), as part of the digital (collection ) of the University of Toronto. The article by Hornbostel and Sachs is to be found on pages 553–90.〕 An English translation was published in the ''Galpin Society Journal'' in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists (people who study musical instruments). The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project.〔(MIMO Project - Musical Instrument Museums Online )〕
Hornbostel and Sachs based their ideas on a system devised in the late 19th century by Victor-Charles Mahillon, the curator of musical instruments at Brussels Conservatory. Mahillon divided instruments into four broad categories according to the nature of the sound-producing material: an air column; string; membrane; and body of the instrument. Mahillon limited his system, for the most part, to instruments used in European classical music. From this basis, Hornbostel and Sachs expanded Mahillon's system to make it possible to classify any instrument from any culture.
Formally, the Hornbostel-Sachs is modeled on the Dewey Decimal Classification for libraries. It has five top-level classifications, with several levels below those, adding up to over 300 basic categories in all. The top five levels of the scheme are described below.
==Idiophones (1)==
Idiophones – sound is primarily produced by the actual body of the instrument vibrating, rather than a string, membrane, or column of air. In essence, this group includes all percussion instruments apart from drums, as well as some other instruments. In the Hornbostel–Sachs classification, idiophones are first categorized according to the method used to play the instrument. The result is four main categories: struck idiophones (11), plucked idiophones (12), friction idiophones (13), and blown idiophones (14). These groups are subsequently divided through various criteria. In many cases these sub-categories are split in singular specimens and sets of instruments. The latter category includes the xylophone, the marimba, the glockenspiel, and the glass harmonica. List of idiophones by Hornbostel–Sachs number.
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