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Huainanzi : ウィキペディア英語版
Huainanzi

The ''Huainanzi'' () is an ancient Chinese text that consists of a collection of essays that resulted from a series of scholarly debates held at the court of Liu An, King of Huainan, sometime before 139. The ''Huainanzi'' blends Daoist, Confucianist, and Legalist concepts, including theories such as Yin-Yang and the Five Phases.
The ''Huainanzis essays are all connected to one primary goal: attempting to define the necessary conditions for perfect socio-political order. It concludes that perfect societal order derives mainly from a perfect ruler, and the essays are compiled in such a way as to serve as a handbook for an enlightened sovereign and his court.
== The book ==

The date of composition for the ''Huainanzi'' is more certain than for most early Chinese texts. Both the ''Book of Han'' and ''Records of the Grand Historian'' record that when Liu An paid a state visit to his nephew the Emperor Wu of Han in 139 BC, he presented a copy of his "recently completed" book in twenty-one chapters.
The ''Huainanzi'' is an eclectic compilation of chapters or essays that range across topics of mythology, history, astronomy, geography, philosophy, science, metaphysics, nature, and politics. It discusses many pre-Han schools of thought (especially Huang-Lao Daoism), and contains more than 800 quotations from Chinese classics. The textual diversity is apparent from the chapter titles (tr. Le Blanc, 1985, 15-16):
Some ''Huainanzi'' passages are philosophically significant, for instance, this combination of Five Phases and Daoist themes.  

When the lute-tuner strikes the ''kung'' note (one instrument ), the ''kung'' note (the other instrument ) responds: when he plucks the ''chiao'' note (one instrument ), the ''chiao'' note (the other instrument ) vibrates. This results from having corresponding musical notes in mutual harmony. Now, (us assume that ) someone changes the tuning of one string in such a way that it does not match any of the five notes, and by striking it sets all twenty-five strings resonating. In this case there has as yet been no differentiation as regards sound; it just happens that that () which governs all musical notes has been evoked.
Thus, he who is merged with Supreme Harmony is beclouded as if dead-drunk, and drifts about in its midst in sweet contentment, unaware how he came there; engulfed in pure delight as he sinks to the depths; benumbed as he reaches the end, he is as if he had not yet begun to emerge from his origin. This is called the Great Merging. (chapter 6, tr. Le Blanc 1985:138)


抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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