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| released = | runtime = 82 minutes | country = | language = | budget = €2 million | gross = $11.1 million〔(【引用サイトリンク】title=Ida (2014) - International Box Office Results )〕 }} ''Ida'' () is a 2013 Polish drama film directed by Paweł Pawlikowski and written by Pawlikowski and Rebecca Lenkiewicz. Set in Poland in 1962, it is about a young woman on the verge of taking vows as a Catholic nun. Orphaned as an infant during the German occupation of World War II, she must now meet her aunt. The former Communist state prosecutor and only surviving relative tells her that her parents were Jewish. The two women embark on a road trip into the Polish countryside to learn the fate of their family. Called a "compact masterpiece" and an "eerily beautiful road movie", the film has also been said to "contain a cosmos of guilt, violence and pain", even if certain historical events (German occupation of Poland, the Holocaust and Stalinism) remain unsaid: "none of this is stated, but all of it is built, so to speak, into the atmosphere: the country feels dead, the population sparse".〔〔〔 ''Ida'' won the 2015 Academy Award for Best Foreign Language Film, becoming the first Polish film to do so. It had earlier been selected as Best Film of 2014 by the European Film Academy and as Best Film Not in the English Language of 2014 by the British Academy of Film and Television Arts (BAFTA).〔〔 ==Plot== In the 1960s Polish People's Republic, Anna, a young novice nun, is told by her prioress that before she takes her vows she must visit her aunt, Wanda Gruz, who is her only surviving relative. Anna travels to visit her aunt Wanda, a chain-smoking, hard-drinking, sexually promiscuous judge who reveals that Anna's actual name is Ida Lebenstein. Ida's parents had been Jews who were murdered late in the German occupation of Poland during World War II (1939–45). Ida was then an infant, and as an orphan she'd been raised by the convent. Wanda, who'd been a Communist resistance fighter against the German occupation, had become the state prosecutor "Red Wanda"〔"Red Wanda" is the English subtitle translation of the Polish "Krwawa Wanda". The literal translation is "Bloody Wanda"; see 〕 who sent "men to their deaths". Wanda's role alludes to "the political show trials of the early 1950s, when Poland’s Communist government used judicial terror (among other methods) to consolidate its power and eliminate its enemies." Wanda tells Ida that she should try some worldly sins and pleasures before she decides to take her vows. She picks up a hitchhiker, Lis, who turns out to be an alto saxophone player who is going to a gig in the same town. Wanda tries to get Ida interested in Lis, and brings Ida with him to his show, but Ida resists. Ida wants to find the bodies of her parents. Wanda asks her what would happen if she goes to their graves and discovers God is not there. Wanda takes her to the house they were born in and used to own, which is now occupied by a Pole, Feliks Skiba and his family. Wanda had left her family with Feliks' family during the war; the Skibas had hidden the Lebensteins from the German authorities. Wanda, a former prosecutor, demands that Feliks and his father tell her what happened to the Lebensteins. Finally, Feliks agrees to tell them—if Ida promises that they will leave the Skibas alone and give up any claim to the house. Feliks takes the women to the burial place in the woods and digs up the bones of their family. He admits to Ida that he took three of the Lebensteins into the woods and killed them. Feliks says that because Ida was very small and able to pass for a Christian, he was able to give her to a convent. But Wanda's small son, whom she'd also left behind, was "dark and circumcised". He couldn't pass for a Christian child, and Feliks had killed him along with Ida's parents. Jeremy Hicks describes some of the possible motivations for Feliks' murders: "The implication is that he killed them for fear that he and his family might be discovered by the Nazis to be hiding Jews, and themselves be killed. But there is so much left unsaid here that the motivations for murder are left obscure. An understanding of Polish wartime history might equally push us towards explaining the murder through Polish anti-Semitism. The perception that Jews had money, and that killing them would enable the murderers to acquire their property, is a motive that is hinted at too." Wanda and Ida take the bones to their family burial plot, in an abandoned, overgrown Jewish cemetery in Lublin, and bury them. Wanda and Ida then part ways and return to their normal existences. Wanda drinks and sleeps around, and Ida returns to the convent to prepare to take her vows. However, both have been profoundly affected by their experience—Ida is visibly unenthusiastic about her life in the convent, and Wanda eventually jumps to her death out of her apartment window. Ida returns to attend Wanda's funeral, where she sees Lis again. At Wanda's apartment, Ida changes out of her nun's habit and into Wanda's stilettos and evening gown, tries smoking and drinking, and then goes to Lis' gig, where he later teaches her to dance. After the show Ida and Lis sleep together. The next morning Lis suggests they get married, have children, and live "life as usual." Without waking Lis, Ida dons her convent habit and leaves, seemingly to return to the convent, or continue being caught between two worlds. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ida (film)」の詳細全文を読む スポンサード リンク
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