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InterAccess is a Canadian artist-run centre and electronic media production facility in Toronto. Founded in 1982 as Toronto Community Videotex, InterAccess is Ontario's only exhibition space devoted exclusively to technological media arts.〔http://www.interaccess.org/about/history.php〕 The Centre for Contemporary Canadian Art places the founding of InterAccess as a key moment in both the history of Canadian electronic art but also within a timeline of developments in international art, science, technology and culture.〔(Centre for Contemporary Canadian Art "Timeline of Digital Art" )〕 ==History== In 1983, InterAccess was incorporated as a not-for-profit, artist-run access centre, under the name Toronto Community Videotex (TCV). It provided artists access to the Telidon system, a precursor of the World Wide Web. The early conception of electronic art placed the organization within the production cooperative system in Canada.〔Shaw, "Cultural Democracy and Institutional Difference", p. 31〕 TCV's members created artworks which fell within the more systems-based notions of art production, rather than the beaux-arts〔Dowler, "Interstitial Aesthetics and the Politics of Video at the Canada Council", pp. 35-6〕 aesthetic of the museum.,〔Hough, "Beyond the Gallery (Electronic Mail Art)", p. 15〕 The name change to InterAccess in 1987 reflected a new focus on Macintosh graphics, multimedia production and a dial-up artists’ network (much like a Bulletin Board System, or BBS) known as Matrix.〔Mann, "The Matrix Artists' Network: An Electronic Community", pp. 230-31〕 InterAccess moved to a larger facility in 1995 allowing InterAccess to offer a gallery and production space that expanded its activities beyond simply access to multimedia production. The exhibitions began to emphasize the finished production and there was a particular focus on establishing an international presence for the centre.〔Bull, "Radio Art in a Gallery?", p. 162〕 The exhibition ''Pandoras Box'', a collaboration between InterAccess and Fylkingen New Music and Intermedia Art in Stockholm, Sweden in 2000, was billed as "the first international interactive encounter with art using remotely controlled robots."〔Herst, "The Disembodied Eye", p. 122〕 In 2005, InterAccess moved to a renovated two-floor, three thousand square feet stand-alone building, allowing for more production space, a surround sound studio and a machine shop for constructing large-scale physical computing projects and installation. The exhibition ''This must be the place: Vera Frenkel, David Rokeby, Nell Tenhaaf and Norman White'' was a reconsideration of the centre and as well the place of electronic art within art history.〔Schilling, ''This must be the place'', p. 7〕 The four featured artists are pioneers in electronic and interactive art and have a history with InterAccess as both members and exhibitors.〔Schilling, ''This must be the place'', p. 8〕 In May 2006, InterAccess received a Canada Council Media Arts Commissioning Grant for ''The Networked City'', a series of five outdoor interactive installations on Yonge Street in Toronto.〔http://www.interaccess.org/exhibitions/index.php?id=55 The Networked City〕 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「InterAccess」の詳細全文を読む スポンサード リンク
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