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・ J. Arthur Baird
・ J. Arthur Dixon
・ J. Arthur Moore
・ J. Arthur Rank, 1st Baron Rank
・ J. Arthur Ross
・ J. Arthur Seebach, Jr.
・ J. Arthur Younger
・ J. Arunkumar
・ J. August Richards
・ J. Augustine DeSazilly
・ J. Augustus Johnston
・ J. Austin Ranney
・ J-Wess
・ J-XX
・ J-Z Airport
J-Zone
・ J. & D. Shearer
・ J. & E. Riggin (schooner)
・ J. & G. Meakin
・ J. & L. Lobmeyr
・ J. & N. Philips
・ J. & W. R. Wing Company
・ J. & W. Seligman & Co.
・ J. (newspaper)
・ J. A. "Doc" Hines
・ J. A. Adande
・ J. A. B. van Buitenen
・ J. A. Baczewski
・ J. A. Bailey
・ J. A. Baker


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J-Zone : ウィキペディア英語版
J-Zone

Jay Mumford, better known by his stage name J-Zone, is a rapper, producer and writer from New York City.
==Career==
Known for his quirky lyrics and trash talk style of rapping, J-Zone released a string of idiosyncratic and critically acclaimed albums in the late 1990s and early 2000s that acquired a cult following.〔(J-Zone lost his Wikipedia page—and his interest in being a rapper | Music | Money Matters | The A.V. Club )〕 Of these, the 2001 release ''Pimps Don't Pay Taxes'', was particularly noted; it featured rappers Huggy Bear and Al-Shid,〔 for whom he would subsequently produce a number of 12" releases. In 2003, the New York Times cited his J-Zone, S.A. Smash concert in Brooklyn, New York as a noteworthy pop and jazz concert in the New York metropolitan region.
Not finding commercial success, J-Zone eventually walked away from rap, and in 2011 published the book ''Root for the Villain: Rap, Bullshit and a Celebration of Failure''.〔〔 The book has been well received; the ''L.A. Times'' Music Blog stated that "Like his albums, it's equal parts hilarious, self-effacing and sharp. He's the sarcastic older brother putting you up on game. It's a love letter to rap laced with sulfur, the flip side of Dan Charnas' similarly excellent ''The Big Payback''."〔 The ''Washington Post'' Going Out Gurus blog called it "a must for every curmudgeonly grown-up hip-hop head",〔 while Nathan Rabin writing for The A.V. Club called it "one of the funniest and most honest books ever written about the modern music industry and its luckless casualties."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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