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Kambhoji
Kambhoji or Kamboji 〔((カンナダ語:ಕಾಂಭೋಜಿ)) The Raga is pronounced as Kambhoji as well as Kambhodi and also Kambhoji in south-western and southern India but as Kamboji in northern India where the term Kamboji carries a paisachi influence of the north-west frontiers.〕 is a sublime classical ''raga'' or musical mode (anciently known as Kambhoja or Kamboja),〔See: Indian Music: History and Structure, 1974, p 54, Emmie and Nijenhuis.〕 which is very popular in Indian musical landscape 〔A Treatise on Ancient Hindu Music, 1978, p 58-59, A K. Bhasttacharya; The Story of Indian Music, its growth and synthesis, 1978, p 73, Gosvami; Studies in Indian music, Tirupasoor Venkata Subba Rao, p 168.〕 It is known as Thakkesi pann in ancient Tamil music(3BCE) which is the oldest reference to this musical mode.
==Medieval era==
There are numerous references to Raga or Ragini called Kambhoji in ancient Indian musical traditions. Narada's ''Sangita Makarand'' (7th to 8th century AD) broadly classifies Ragas into eight subsets and includes three raginis in each subset. In this scheme of classification, Narda accepts raga Kambhoji as a mode of ''Shri raga'', the first subset of his scheme of classification.〔Ragas and Raginis, Appendix 4, pp 179-80, O.P Ganguli〕 Ramaditya, the author of ''Swara-Mela Kalanidhi'' (1550 AD) has accepted 20 ''melas'' and has accommodated 64 ''Jana-ragas'' among the ''melas''. In this scheme of classification, the twentieth mela is Kambhoji under which come the Jana-ragas like Kambhoji.〔Appendix 17, pp 197-98, O.P Ganguli〕 ''Ragamala'' of Pundrikavitthala classifies ragas into six divisions with each group having several raginis and ragas imagined to be their spouses and sons. Thus the ragini Kambhoji is assumed to be one among the several spouses of raga ''Nat-Narayana''.〔Appendix 18, pp 199-200, O.P Ganguli〕 ''Chatravarishach.chhat-Raga Nirupanam'' authored by Narada (1525-50 AD) lists ten main ragas and accepts the Kambhoji as the spouse of seventh raga called ''Raga Nata-Narayana''.〔 Appendix 19, pp 201-04, O.P Ganguli〕 ''Chaturdandi-Prakashhika'' authored by Vyankatmakhi (also known as Vyankateshwara Dikshit, ~1660 AD) assumes 19 melas and lists the Kamboji, Kedar-gaula and Narayan-gaula as the Jana ragas under mela Kambhoji.〔Appendix 24, p 209, O. P. Ganguli.〕 The ''Anupa-Sangit-Ratanakar'' by Sangit Acharya Bhava-Bhata lists 20 ragas as being fundamental ragas. The third raga of his scheme, called Kedar Raga, includes more than a dozen of raginis----the seventh being the well known Kambhoji.〔Appendix 26, p 211, O. P. Ganguli〕 Raja Tulaji, the ruler of Tanjore (1763-87 AD) has written a well known book on musicology known as ''Sangit-Saramritoddhar''. Raja Tulaji assumes 21 Janakmelas and includes Kambhoji and Yadukul-Kambhoji as the ''Jana ragas'' under the eighth ''Janaka-mela'' of his scheme of classification.〔Appendix 26, p 213, O.P. Ganguli〕
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