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・ Karagöz
・ Karagöz and Hacivat
・ Karagöz Bey Mosque
・ Karagözler, İncirliova
・ Karagöçer, Karataş
・ Karagül
・ Karagümrük
・ Karagüveç, Besni
・ Karah
・ Karah Parshad
・ Karaha Crater
・ Karahacılı
・ Karahacılı, Dinar
・ Karahacılı, Mersin
・ Karahacılı, Silifke
Karahafu
・ Karahallı
・ Karahallı, Nazilli
・ Karahallı, Şuhut
・ Karahamzalı, Bala
・ Karahamzalı, Kozan
・ Karahamzalı, Polatlı
・ Karahan
・ Karahan, Aladağ
・ Karahan, Çukurova
・ Karahara
・ Karahasan, Ulus
・ Karahasanlar, Yenipazar
・ Karahasanlı, Karaisalı
・ Karahashimae Station


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Karahafu : ウィキペディア英語版
Karahafu

The is a type of gable with a style peculiar to Japan. The characteristic shape is the undulating curve at the top. This gable is common in traditional architecture, including Japanese castles, Buddhist temples, and Shinto shrines. Roofing materials such as tile and bark may be used as coverings. The face beneath the gable may be flush with the wall below, or it may terminate on a lower roof.
==History==
Although ''kara'' (唐) can be translated as meaning "China" or "Tang", this type of roof with undulating bargeboards is an invention of Japanese carpenters in the late Heian period.〔"(karahafu 唐破風 )." JAANUS. Retrieved on May 30, 2009.〕 It was named thus because the word ''kara'' could also mean "noble" or "elegant", and was often added to names of objects considered grand or intricate regardless of origin.〔"(karamon 唐門 )." JAANUS. Retrieved on June 12, 2009.〕 The ''karahafu'' developed during the Heian period and is shown in picture scrolls to decorate gates, corridors, and palanquins. The first known depiction of a ''karahafu'' appears on a miniature shrine (''zushi'') in Shōryoin shrine at Hōryū-ji in Nara.〔
The ''karahafu'' and its building style (''karahafu-zukuri'') became increasingly popular during the Kamakura and Muromachi period, when Japan witnessed a new wave of influences from the Asian continent. During the Kamakura period, Zen Buddhism spread to Japan and the ''karahafu'' was employed in many Zen temples.
Initially, the ''karahafu'' was used only in temples and aristocratic gateways, but starting from the beginning of the Azuchi-Momoyama period, it became an important architectural element in the construction of a daimyo's mansions and castles. The daimyo's gateway with a ''karahafu'' roof was reserved for the shogun during his ''onari'' visits to the retainer, or for the reception of the emperor at shogunate establishments. A structure associated with these social connections naturally imparted special meaning.〔Sarvimaki: ''Structures, Symbols and Meanings'' (2000), 18/2000, 82-84, 178.〕
Gates with a ''karahafu'' roof, the ''karamon'' (''mon'' meaning "gate"), became a means to proclaim the prestige of a building and functioned as a symbol of both religious and secular architecture.〔Sarvimaki: ''Layouts and Layers'' (2003), Vol 3, No. 2, 80-108.〕 In the Tokugawa shogunate, the ''karamon'' gates were a powerful symbol of authority reflected in architecture.〔Coaldrake (1996), 197〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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