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''Kommotion'' was a popular Australian "Top 40" pop music TV show of the mid-1960s, which premiered in December 1964. The program was hosted by popular disc jockey Ken Sparkes, who was one of the main presenters at Melbourne pop radio station 3UZ. In 1965, after the end of his previous series, ''Teen Scene'', pop singer Johnny Chester became the associate producer of the program.〔(Johnny Chester - Year By Year )〕 It was produced by the Willard King organisation for Melbourne TV station ATV-0 (Channel 0) and was pre-recorded on videotape at the station's Nunawading studio. It was originally seen only in Melbourne, but was later relayed to interstate stations in the newly formed 0-10 Network as they came on line during 1965–66. The ''Kommotion'' format was a fast-paced, teenage Top 40 pop music show. It was originally shown in daily half-hour episodes, Monday–Friday at 5.30 pm; an additional one-hour special on Sundays was added later in the run of the series. In August 1964 Channel 0 premiered its first pop TV program, ''The Go!! Show''. It proved such a ratings success that its original 13-episode contract was extended to 39 episodes after only seven weeks on air, and this encouraged Channel 0 to capitalise on this success by commissioning a second series that would appeal to younger viewers. Both programs showcased the emerging 'beat' pop trend, and provided an energetic alternative to the mainstream family-oriented variety format of the rival Nine Network program, ''Bandstand''. In combination, Go!! and Kommotion gave the nascent 0-10 Network an unbeatable lead in pop TV programming, with ''The Go!! Show'' alone regularly pulling in over 400,000 teenage viewers every week. ==Format and presentation== Both ''Kommotion'' and ''Go!!'' featured on the current beat-pop style, and both were strongly influenced by the UK and American pop TV shows created by renowned producer Jack Good. Although many local guest acts appeared on both shows, there were notable stylistic differences between them. ''The Go!! Show'' was more closely modelled on the landmark British pop show ''Ready, Steady, Go!'' and it was aimed at a slightly older and more sophisticated audience, it featured more local music, and it reportedly cost considerably more to produce. ''Kommotion'' was aimed at the younger teen audience and its style was more like that of Good's US program ''Shindig!''; it featured a troupe of 'go-go' dancers (a Shindig trademark) and it featured more overseas hits than ''The Go!! Show'', although it did so in a novel way, as is explained below. Fashion was another vital component of both ''Kommotion'' and ''The Go!! Show''; the Mod fashion trend prevalent in Melbourne at the time was highly visible in both shows. with the other major influence being the BBC's perennial ''Top Of The Pops''. As Jim Keays noted in his memoir ''His Masters Voice'', Kommotion was also a key influence on the 1970s pop TV series ''Countdown'', and it is no coincidence that some of the regular ''Kommotion'' on-air team went on to work on Countdown, including talent coordinator and presenter Ian "Molly" Meldrum and future Countdown executive producer Grant Rule. Scores of leading Melbourne and interstate pop acts appeared on the show during its two-year run, including Lynne Randell, Dinah Lee, Bobby & Laurie, Normie Rowe, Tony Worsely, Mike Furber, The Easybeats, MPD Ltd, The Elois, The Masters Apprentices, Steve & The Board and The Purple Hearts. Alongside the appearances by local pop groups, the producers also came up with a simple and cost-effective way of showcasing current international hits. In those days, purpose-made music videos (then called "film clips") were only just beginning to be used to promote new recordings. AUstralia's great distance from the US and the UK meant that visits by major overseas acts were relatively rare, so the stock-in-trade for ''Kommotion'' was to use a troupe of young performers who danced and/or mimed to the latest overseas hits. The producers hired a group of about a dozen Melbourne teenagers, chosen for their looks, fashion sense and dancing ability. The regular cast roster included Ian Meldrum, Tony Healey, David Bland, Alex Rappel, Lex Kaplan, Jillian Fitzgerald, Alex Silbersher, Chantal Cantouri (later a star of ''Number 96''), Grant Rule (later executive producer of ''Countdown''), Norman Willison, pioneering 'go-go girl' Denise Drysdale and dancer Maggie Stewart (who met pop star Ronnie Burns on the show and later married him). For the mimed segments, the producers matched the performers with a particular style of music. Jillian Fitzgerald, chosen for her dancing ability, was given the 'soul' category (in spite of her fair skin) and she mimed to R&B classics like Ike and Tina's "River Deep Mountain High". Ian Meldrum specialized in the then-popular, high-camp 1930s style numbers such as Peter & Gordon's "Lady Godiva" and the New Vaudeville Band's "Winchester Cathedral". This practice reportedly led some viewers to believe that Jillian Fitzgerald was the actual singer of Aretha Franklin's "Respect", and that Meldrum had recorded "Winchester Cathedral". another member was RMIT student Keith Millar who was a neighbour of Molly's who lived with Ronnie Burns family in Elwood. Keith was best known for Tommy Roe' Oh Sweet Pea . Several of the cast became virtual pop stars in their own right. Tony Healey was one of the most popular and had his own fan club. Alex Silbersher was reportedly chased up three flights of stairs by a horde of girls when a promotion at a Sydney shopping center got out of control. The addition of the one-hour Sunday ''Kommotion'' special evidently caused some controversy. An unattributed press clipping from the time (reproduced on the Laurie Allan tribute site) indicates that ''The Go!! Show'' producers DYT were concerned about the increased competition from their rival (which also cost less to produce), and the article suggested that this move might oversaturate the pop market and lead to a drop in ratings all round, as well as over-exposing the relatively small pool of Australia's top-ranking pop talent. The latter issue was borne out by Jim Keays' comments in his autobiography, in which he reported that The Masters Apprentices were invited on both shows so regularly that they eventually had to 'ration' their appearances for fear of overexposure. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kommotion」の詳細全文を読む スポンサード リンク
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