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・ Kunsthalle Tübingen
・ Kunsthalle Wien
・ Kunsthalle Zürich
・ Kunsthallen Nikolaj
・ Kunsthaus
・ Kunsthaus Bregenz
・ Kunsthaus Graz
・ Kunsthaus Tacheles
・ Kunsthaus Zürich
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・ Kunsthistorisches Institut in Florenz
・ Kunsthistorisches Museum
・ Kunsthochschule Kassel
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Kunstkamera
・ Kunstkring Art Gallery
・ Kunstleria
・ Kunstmann
・ Kunstmesse München
・ Kunstmuseum
・ Kunstmuseum Basel
・ Kunstmuseum Bayreuth
・ Kunstmuseum Bonn
・ Kunstmuseum Liechtenstein
・ Kunstmuseum Solothurn
・ Kunstmuseum Stuttgart
・ Kunstmuseum Winterthur
・ Kunstnerhjemmet
・ Kunstnernes Frie Studieskoler


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Kunstkamera : ウィキペディア英語版
Kunstkamera

The Kunstkamera (or Kunstkammer; (ロシア語:Кунсткамера)) was the first museum in Russia. Established by Peter the Great and completed in 1727, the Kunstkammer Building hosts the Peter the Great Museum of Anthropology and Ethnography ((ロシア語:Музей антропологии и этнографии имени Петра Великого Российской академии наук)), with a collection of almost 2,000,000 items. It is located on the Universitetskaya Embankment in Saint Petersburg, facing the Winter Palace.
==History==
The Kunstkamera was established by Peter the Great on the Neva Riverfront. The turreted Petrine Baroque building of the Kunstkamera designed by Georg Johann Mattarnovy was completed by 1727. The foundation stone for the Kunstkammer was laid in 1719.
Peter's museum was a cabinet of curiosities dedicated to preserving "natural and human curiosities and rarities", a very typical type of collection in the period. The tsar's personal collection, originally stored in the Summer Palace, features a large assortment of human and animal fetuses with anatomical deficiencies, which Peter had seen in 1697 visiting Frederick Ruysch and Levinus Vincent. The underlying idea of their kunstkammers was to acquire full knowledge of the world. The Dutch word "kunst-kamer" seems to be introduced by the surgeon Stephanus Blankaart in 1680.
The Kunstkamera of Peter the Great is often seen as a haphazard collection of incoherent rarities, but it seems they were collected systematically subject to a well defined plan. Peter's main interest was in "naturalia", rather than the so-called "artificialia". Peter encouraged research of deformities, all along trying to debunk the superstitious fear of monsters. He issued an ukase ordering malformed, still-born infants to be sent from all over the country to the imperial collection. He subsequently had them put on show in the Kunstkamera as examples of accidents of nature.〔Driessen-Van het Reve, J.J. (2006) De Kunstkamera van Peter de Grote. De Hollandse inbreng, gereconstrueerd uit brieven van Albert Seba en Johann Daniel Schumacher uit de jaren 1711–1752. English summary, pp. 335–336.〕
In 1716 Peter established the mineral cabinet of Kunstkamera, depositing there a collection of 1195 minerals which he had bought from Gotvald, a Danzig doctor. The collection was enriched with Russian minerals. It was a predecessor of the Fersman Mineralogical Museum, now based in Moscow.
Many items were bought in Amsterdam from pharmacologist Albertus Seba (1716) and anatomist Frederik Ruysch (1717) and formed the basis for the Academy of Sciences. The Kunstkamera was specially built to house these two extensive collections. A third acquisition came from Jacob de Wilde, a collector of gems and scientific instruments. Head-physician to the czar, Robert Erskine, and his secretary Johann Daniel Schumacher were responsible for the acquisition.〔Driessen-Van het Reve, J.J. (2006) De Kunstkamera van Peter de Grote. De Hollandse inbreng, gereconstrueerd uit brieven van Albert Seba en Johann Daniel Schumacher uit de jaren 1711–1752. English summary, pp. 337–338.〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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