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Lied
ドイツ語:Lied ((:liːt); plural ドイツ語:Lieder (:ˈliːdɐ); German for "song") originally denoted in classical music the setting of Romantic German poems to music, especially during the late eighteenth and nineteenth centuries. Examples include settings by Ludwig van Beethoven and Franz Schubert. Among English speakers, however, "Lied" is often used interchangeably with "art song" to encompass works that the tradition has inspired in other languages. The poems that have been made into Lieder often center on pastoral themes or themes of romantic love.
Typically, Lieder are arranged for a single singer and piano, the Lied with orchestral accompaniment being a later development. Some of the most famous examples of Lieder are Schubert's "Der Tod und das Mädchen" ("Death and the Maiden") and "Gretchen am Spinnrade". Sometimes Lieder are gathered in a ''ドイツ語:Liederkreis'' or "song cycle", a series of songs (generally three or more) tied by a single narrative or theme, such as Schubert's ''Die schöne Müllerin'' and ''Winterreise'', or Robert Schumann's ''Frauenliebe und -leben'' and ''Dichterliebe''. Schubert and Schumann are most closely associated with this genre, mainly developed in the Romantic era.
== History ==
For German-speakers, the term "Lied" has a long history ranging from 12th-century troubadour songs (ドイツ語:Minnesang) via folk songs (''ドイツ語:Volkslieder'') and church hymns (''ドイツ語:Kirchenlieder'') to 20th-century workers' songs (''ドイツ語:Arbeiterlieder'') or protest songs (''ドイツ語:Kabarettlieder, Protestlieder'').
In Germany, the great age of song came in the nineteenth century. German and Austrian composers had written music for voice with keyboard before this time, but it was with the flowering of German literature in the Classical and Romantic eras that composers found inspiration in poetry that sparked the genre known as the ドイツ語:Lied. The beginnings of this tradition are seen in the songs of Mozart and Beethoven, but it was with Schubert that a new balance was found between words and music, a new absorption into the music of the sense of the words. Schubert wrote over 600 songs, some of them in sequences or song cycles that relate an adventure of the soul rather than the body. The tradition was continued by Schumann, Brahms, and Hugo Wolf, and on into the 20th century by Strauss, Mahler and Pfitzner. Partisans of atonal music, such as Arnold Schoenberg and Anton Webern, composed Lieder in their own style.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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