翻訳と辞書
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・ Limitanei
・ Limitation
・ Limitation Act
・ Limitation Act 1623
・ Limitation Act 1939
・ Limitation Act 1963
・ Limitation Act 1980
・ Limitation and revocation procedures before the European Patent Office
・ Limitation of Liability Act of 1851
・ Limitation of size
・ Limitation Periods in the UK
・ Limitations (novel)
・ Limitations and exceptions to copyright
・ Limitations of animal running speed
・ Limitations on copyrightability in Canadian copyright law
Limite
・ Limited
・ Limited animation
・ Limited appearance
・ Limited atonement
・ Limited availability
・ Limited Collector's Edition (Glen Campbell album)
・ Limited Collectors' Edition
・ Limited company
・ Limited dependent variable
・ Limited depravity
・ Limited duty officer
・ Limited Edition
・ Limited Edition (Benjy Davis Project EP)
・ Limited Edition (Lewis Taylor album)


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Limite : ウィキペディア英語版
Limite

''Limite'' (, meaning "Limit" or "Border") is a film by Brazilian director and writer Mário Peixoto (1908–92), filmed in 1930 and first screened in 1931.
Sometimes cited as the greatest of all Brazilian films, this 120-minute silent experimental feature by novelist Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of everyone from Sergei Eisenstein to Georges Sadoul to Walter Salles.
==Plot and analysis==
A man and two women lost at sea in a rowboat. Their pasts are conveyed in flashbacks throughout the film. The unusual structure has kept the film in the margins of most film histories, where it has been known mainly as a provocative and legendary cult film.
For Peixoto, the experience offered by ''Limite'' cannot be adequately captured by language, but was made to be felt. Therefore, the audience is left with images of a synthetic and pure language of cinema. According to the director, his film is meticulously precise as invisible wheels of a clock, where long shots are surrounded and linked by shorter ones as in a planetary system.
Peixoto characterizes ''Limite'' as a 'desperate scream' aiming for resonance instead of comprehension. The movie shows without words and without analysis. The film projects itself as a tuning fork, a pitch, a resonance of time itself, capturing the flow between past and present, object details and contingence as if it had always existed in the living and in the inanimate, or detaching itself tacitly from them. Since ''Limite'' is more of a state than an analysis, characters and narrative lines emerge, followed by a probing camera exploring angels, details, possibilities of access and fixation, only then to fade out back into the unknown, a visual stream with certain densifications or illustrations within the continues flow of time. According to Peixoto, all these poetic transpositions find despair and impossibilities; a luminous pain which unfolds in rhythm and coordinates the images of rare precision and structure.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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