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Manipravalam was a literary style used in medieval liturgical texts in South India, which used an admixture of Tamil and Sanskrit.〔The Illustrated weekly of India, (1965). Volume 86. Bennett, Coleman & Co., Ltd. pp. 35-37〕〔(''Manipravalam'' ) The Information & Public Relations Department, Government of Kerala.〕 Manipravalam is termed a mixture of Sanskrit and Tamil.〔 Tamil language was the language of the region, part of Tamilakam, at the time of Manipravalam's genesis and use and its introduction caused a significant transition of Malayalam from Tamil in Kerala.〔 ''Mani-pravalam'' literally means ''ruby-coral'', where ''Mani'' means ruby in Tamil while ''Pravalam'' means Coral in Sanskrit.〔Ke Rāmacandr̲an Nāyar (1971). ''Early Manipravalam: a study.'' Anjali. Foreign Language Study. pp.78〕 Malayalam is referred to as ruby and Sanskrit as coral.〔 This was prevalent in Vaishnavite religious literature in Tamil Nadu and literary works in Kerala. Since Tamil Vatteluttu did not have characters to represent some Sanskrit sounds, letters from the Grantha script were used to represent them. Native words and grammatical endings were written using Vatteluttu, and Sanskrit words were written using Grantha. Essentially, it was a hybrid script composed of Vatteluttu and the Grantha script. A parallel literary tradition existed during the period that derived inspiration from the Tamil poetic tradition, known by the name ''pattu''.〔Ayyappappanikkar, Sahitya Akademi - (1997) Medieval Indian literature: an anthology: Volume 2 .Page 300〕 ''Leelathilakam'', a work on grammar and rhetoric, written in the last quarter of the 14th century in Kerala, discusses the relationship between Manipravalam and Pattu as poetic forms. It lays special emphasis on the types of words that blend harmoniously. It points out that the rules of Sanskrit prosody should be followed in Manipravalam poetry. This particular school of poetry was patronized by the upper classes, especially the Nambudiris. The composition of this dialect also reflects the way Aryan and Dravidian cultures were moving towards a synthesis. Dramatic performances given in Koothambalams, known by the names of Koothu and Koodiyattam, often used Sanskrit and Malayalam. In Koodiyattom, the clown (vidooshaka) is allowed to use Malayalam while the hero recites slokas in Sanskrit. Tholan, a legendary court poet in the period of the Kulasekhara kings, is believed to have started this practice. The language of ''Kramadeepikas'' and ''Attaprakarams'', which lay down the rules and regulations for these dramatic performances, is considerably influenced by the composite literary dialect of Manipravalam. Various hagiographies on the life of the Vaishnava saint Ramanuja were in manipravalam. ==Effect on the history of the Malayalam script== It is suggested that the advent of the Manipravalam style, where letters of the Grantha script coexisted with the traditional Vatteluttu letters, made it easier for people in Kerala to accept a Grantha-based script (unicode:''Ārya eḻuttŭ''), and paved the way for the introduction of the new writing system.〔(【引用サイトリンク】publisher=Government of Kerala )〕 Eventually (unicode:''Vaṭṭeḻuttŭ'') was almost completely supplanted by (unicode:''Ārya eḻuttŭ''), that is, the modern Malayalam script. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Manipravalam」の詳細全文を読む スポンサード リンク
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