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Mayamalavagowla (pronounced ), is a raga of Carnatic Music (musical scale of South Indian classical music). It is classified as 15th ''melakarta'' raga under Venkatamakhin's ''melakarta'' system. Originally known as ''malavagowla, "maya"'' was prefixed to it after the advent of the scheme of the 72 ''melas''. The number 15 was assigned to it following the Katapayadi sankhya system. This is a morning raga. ==Structure and Lakshana== Venkatamakhin defines its lakshana thus: पूर्णो माळवगोळाख्यः स ग्रहो गीयते सदा sa graho gīyate sadā ''Mayamalavagowla'' is the 3rd raga in the 3rd ''chakra, Agni''. Its mnemonic name is ''Agni-Go''. Its mnemonic phrase is ''sa ra gu ma pa dha nu''.〔''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications〕 Its ' structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): *: S R1 G3 M1 P D1 N3 S *: S N3 D1 P M1 G3 R1 S The notes in this raga are ''shuddha rishabham, antara gandharam, shuddha madhyamam, shuddha dhaivatam'' and ''kakali nishadam''. As it is a ''melakarta'' rāgam, by definition it is a ''sampurna'' rāgam (has all seven notes in ascending and descending scale). It is the ''shuddha madhyamam'' equivalent of ''Kamavardhini'' (also known as ''pantuvarali''), which is the 51st ''melakarta'' scale. The gamakas in the raga are unique in that conversely to the G-M relationship in Sankarabharanam, G is sung in oscillation (M,G M,G M,G) while M is held constant. There is no bold M-P gamaka as in Sankarabharanam as well. R and D are also usually sung in oscillation with S and P respectively, making the only constant notes S, M, and P. Of course, these rules are occasionally broken for effect (i.e. holding N flat before ascending to S). 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Mayamalavagowla」の詳細全文を読む スポンサード リンク
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