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Melitzah is a medieval Hebrew literary device in which a mosaic of fragments and phrases from the Hebrew Bible as well as from rabbinic literature or the liturgy is fitted together to form a new statement of what the author intends to express at the moment. In Christian literature, the equivalent are the Centuriae. In Hebrew the word ''melitzah'' means joke or witticism. ''Melitzah'', in effect, recalls Walter Benjamin's desire to someday write a work composed entirely of quotations. At any rate, it was a literary device employed widely in medieval Hebrew poetry and prose, then through the movement known as ''Haskalah'', Hebrew for “enlightenment,” and even among nineteenth-century writers both modern and traditional. What is so special about this particular literary device is that in ''melitzah'' the sentences compounded out of quotations mean what they say; but below and beyond the surface they reverberate with associations to the original texts, and this is what makes them psychologically so interesting and valuable. In the transposition of a quotation from the original (in this case canonical) text to a new one, the meaning of the original context may be retained, altered, or subverted. In any case the original context trails along as an invisible interlinear presence, and the readers, like the writer, must be aware of these associations if they are to savor the new text to the full. A partial analogy may be found in T. S. Eliot's use of quotations in ''The Waste Land''. If he is successful in his use of ''melitzah'', the author will arouse in the reader a particular set of images and associations which will add a certain texture and tone to what is being described—-the chordal accompaniment, so to speak, to the melodic line. ==External links== *An example of the modern, secular use of ''melitzah'' is the book (''Significant Moments'' ) written by Gary Freedman exclusively from literary and historical texts. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Melitzah」の詳細全文を読む スポンサード リンク
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