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Microforms are any forms, either films or paper, containing microreproductions〔Dictionary.com Unabridged (v 1.1). Random House, Inc. ("Microform" ) (accessed: April 15, 2008).〕 of documents for transmission, storage, reading, and printing. Microform images are commonly reduced to about one twenty-fifth of the original document size. For special purposes, greater optical reductions may be used. All microform images may be provided as positives or negatives, more often the latter. Three formats are common: microfilm (reels), aperture cards and microfiche (flat sheets). Microcards, a format no longer produced, were similar to microfiche, but printed on cardboard rather than photographic film. ==History== Using the daguerreotype process, John Benjamin Dancer was one of the first to produce microphotographs, in 1839.〔 〕 He achieved a reduction ratio of 160:1. Dancer perfected his reduction procedures with Frederick Scott Archer’s wet collodion process, developed in 1850–51, but he dismissed his decades-long work on microphotographs as a personal hobby, and did not document his procedures. The idea that microphotography could be no more than a novelty was an opinion shared by the 1858 ''Dictionary of Photography,'' which called the process "somewhat trifling and childish."〔 Originally published in ''(Dictionary of Photography )'' (1858).〕 Microphotography was first suggested as a document preservation method in 1851 by James Glaisher, an astronomer, and in 1853 by John Herschel. Both men attended the 1851 Great Exhibition in London, where the exhibit on photography greatly influenced Glaisher. He called it "the most remarkable discovery of modern times," and argued in his official report for using microphotography to preserve documents.〔''Exhibition of the Works of Industry of All Nations 1851. Reports by the Juries on the Subject in the Thirty Classes into which the Exhibition was Divided.'' (London: John Weale, 1852).〕 The developments in microphotography continued through the next decades, but it was not until the turn of the century that its potential for practical usage was seized by a wider audience. In 1896, Canadian engineer Reginald A. Fessenden suggested microforms were a compact solution to engineers' unwieldy but frequently consulted materials. He proposed that up to 150,000,000 words could be made to fit in a square inch, and that a one-foot cube could contain 1.5 million volumes.〔 In 1906, Paul Otlet and Robert Goldschmidt proposed the ''livre microphotographique'' as a way to alleviate the cost and space limitations imposed by the codex format.〔Robert Goldschmidt and Paul Otlet, ''Sur une forme nouvelle du livre— le livre microphotographique,'' L'Institut international de bibliographie, Bulletin, 1907.〕 Otlet’s overarching goal was to create a World Center Library of Juridical, Social and Cultural Documentation, and he saw microfiche as way to offer a stable and durable format that was inexpensive, easy to use, easy to reproduce, and extremely compact. In 1925, the team spoke of a massive library where each volume existed as master negatives and positives, and where items were printed on demand for interested patrons.〔Robert B. Goldschmidt and Paul Otlet, "La Conseration et la Diffusion Internationale de la Pensée." Publication no. 144 of the Institut International de Bibliographie (Brussels).〕 In the 1920s microfilm began to be used in a commercial setting. New York City banker George McCarthy was issued a patent in 1925 for his "Checkograph" machine, designed to make micrographic copies of cancelled checks for permanent storage by financial institutions. In 1928, the Eastman Kodak Company bought McCarthy's invention and began marketing check microfilming devices under its "Recordak" division.〔("Brief History of Microfilm," ) Heritage Microfilm, 2007.〕 Between 1927 and 1935, the Library of Congress microfilmed more than three million pages of books and manuscripts in the British Library; in 1929 the Social Science Research Council and the American Council of Learned Societies joined to create a Joint Committee on Materials for Research (chaired for most of its existence by Robert C. Binkley, which looked closely at microform’s potential to serve small print runs of academic or technical materials; in 1933, Charles C. Peters developed a method to microformat dissertations; in 1934 the United States National Agriculture Library implemented the first microform print-on-demand service, which was quickly followed by a similar commercial concern, Science Service. In 1935, Kodak's Recordak division began filming and publishing ''The New York Times'' on reels of 35 millimeter microfilm, ushering in the era of newspaper preservation on film.〔 This method of information storage received the sanction of the American Library Association at its annual meeting in 1936, when it officially endorsed microforms. Harvard University Library was the first major institution to realize the potential of microfilm to preserve broadsheets printed on high-acid newsprint and it launched its "Foreign Newspaper Project" to preserve such ephemeral publications in 1938.〔 Roll microfilm proved far more satisfactory as a storage medium than earlier methods of film information storage, such as the Photoscope, the Film-O-Graph, the Fiske-O-Scope, and filmslides. The year 1938 also saw another major event in the history of microfilm when University Microfilms International (UMI) was established by Eugene Power.〔 For the next half century, UMI would dominate the field, filming and distributing microfilm editions of current and past publications and academic dissertations. After another short-lived name change, UMI was made a part of ProQuest Information and Learning in 2001. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Microform」の詳細全文を読む スポンサード リンク
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