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Miscellany
A miscellany is a collection of various pieces of writing by different authors. Meaning a mixture, medley, or assortment, a miscellany can include pieces on many subjects and in a variety of different forms.〔(Miscellany, n. ) ''OED Online''. Oxford University Press. Retrieved April 18, 2013.〕 In contrast to anthologies, whose aim is to give a ''selective'' and ''canonical'' view of literature, miscellanies were produced for the entertainment of a contemporary audience and so instead emphasise ''collectiveness'' and ''popularity''. Laura Mandell and Rita Raley state:
Manuscript miscellanies are important in the Middle Ages, and are the sources for most surviving shorter medieval vernacular poetry. Medieval miscellanies often include completely different types of text, mixing poetry with legal documents, recipes, music, medical and devotional literature and other types of text, and in medieval contexts a mixture of types of text is often taken as a necessary condition for describing a manuscript as a miscellany. They may have been written as a collection, or represent manuscripts of different origins that were later bound together for convenience. In the early modern period miscellanies remained significant in a more restricted literary context, both in manuscript and printed forms, mainly as a vehicle for collections of shorter pieces of poetry, but also other works. Their numbers increased until their peak of importance in the 18th century, when over 1000 English poetry miscellanies were published,〔("About" ), Digital Miscellanies Index〕 before the rise of anthologies in the early 19th century. The printed miscellany gradually morphed into the format of the regularly published magazine, and many early magazines used the word in their titles.
== Manuscript and printed miscellanies before the 18th century ==
The broadest distinction is between manuscript and printed miscellanies. Manuscript miscellanies were carefully compiled by hand, but also circulated, consumed, and sometimes added to in this organic state – they were a prominent feature of 16th and early 17th century literary culture. Printed miscellanies, which evolved in the late 17th and 18th centuries, were compiled by editors and published by booksellers in order to make a profit. While manuscript miscellanies were produced by a small coterie of writers, and so were constructed around their own personal tastes, printed miscellanies were increasingly aimed towards a popular audience, and bear the marks of commercially driven, money making, opportunistic endeavours.〔Richard Beadle, Colin Burrow (eds.), ''Manuscript Miscellanies, c. 1450-1700'' (London: British Library, 2011).〕〔Adam Smyth, ''‘‘Profit and Delight’’: Printed Miscellanies in England, 1640–1682'' (Detroit: Wayne State University Press, 2004).〕
Multi-authored collections are known to exist in many forms – such as newspapers, magazines, or journals – and the act of commonplacing, of transcribing useful extracts and quotations from multiple sources is also well recorded. However, the formal production of ''literary'' miscellanies came into its established form in the 16th and 17th centuries, and reached a highpoint in the 18th century. Although literary miscellanies would often contain critical essays and extracts of prose or drama, their main focus was popular verse, often including songs. At this time poetry was still a dominant literary form, for both low and high literature, and its variety and accessibility further suited it to miscellaneous publication.〔J. Paul Hunter, ‘Political, satirical, didactic and lyric poetry: from the Restoration to the death of Pope’ in John Richetti (ed.) ''The Cambridge History of English Literature, 1660-1780'' (Cambridge: Cambridge University Press, 2005), 160-208, pp. 160-163.〕
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