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Naamyam
Cantonese Naamyam (; Jyutping: naam4 jam1) is a unique local narrative singing tradition in Cantonese dialect/language, different from ''Fujian Nan Yin''. A singer would be engaged for a single performance or for regular performances over an extended period of time. Famous naamyam singers included Chung Tak (1860-1929), Dou Wun (1910-1979), Yuen Siu-Fai and Au Kwan-Cheung.
==History==
Before the first half of the 20th century, naamyam sung by blind singers was a popular form of entertainment in Canton and Hong Kong. Common venues for performance included public places such as restaurants, teahouses, brothels, and opium dens, semi-public clubs and gathering places that catered to a particular trade or craft, such as butchers or rice merchants, and private households.
''Naamyam'' has rarely been performed in its traditional context since the middle of the twentieth century. The rapidly changing society, with the exploding growth of modern entertainment means, spelled the death of traditional performing genre such as naamyam. However, some Cantonese opera performers borrowed some of the techniques of naamyam singings in their performances.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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